What our students say
Karim Beidoun, Lebanon: “The MSc Sound Design course proved to a first-rate program that helped me develop my professional skill set in order to start transitioning my business from traditional music production into sound design, particularly interactive sound design in my case. The guest lectures from industry professionals provided a wealth of information that would have otherwise been quite difficult to come by. All in all, it was an intense learning experience that has helped further my career as an audio professional.”
Dr Vincent Meelberg, Netherlands: “As an academic who already has a PhD in a different field, I really appreciated the practice-based approach of the course. During the course we had many opportunities to learn from famous professionals working in sound design, both via live sessions and by watching recordings of lectures and masterclasses that they gave. Also, it was possible to tailor the assignments to meet your own needs. For me, this meant that I gained a lot of valuable practical experience designing sound for linear and interactive media, and the results were welcome additions to my portfolio. Finally, the lecturers were extremely knowledgeable and willing to help whenever you needed it. In short, following this course was a thoroughly positive and invaluable experience for me!”
Toni Diaz, UK: “The course was both inspiring and relevant to all aspects of sound design. It enabled me to draw on my experience, but challenged me to dig deeper into new areas. The course team were always helpful and insightful, and there is a comprehensive programme of guest speakers from a range of sound design disciplines. Studying part time and online meant I could fit my studies around my work, and implement what I learned in the workplace. I would recommend to all with a passion for sound, whether in film or games, theatrical or environmental sound.”
Alejandro Cabrera, Greece: “Welcome to the future! Distance learning offers the best of every world - on one hand you don't have to disrupt your life in order to pursue a degree and on the other hand, you get to study with people from all around the planet, including people whose backgrounds are extremely rich in experience and knowledge. This is what makes this course unique: Not only did I learn a lot from my professors and the course itself, but also from other students who had a lot of valuable experiences to share. Additionally, the possibility of having access not only to the lectures programmed during the course but also to any of the lectures given in the previous years is an amazing way of learning new things from the top-professionals in the field.”
Cormac Donnelly, UK: “The great thing about the Sound Design masters was being able to fit it around my work schedule. I was always re-assured that even if I missed one of the live tutorials I could catch up on the content later. I also really appreciated the very clear focus of the course. From the outset my supervisor encouraged me to engage with, and direct my studies to cross-over with my own work and areas of interest. Ultimately this benefited both my studies and the work I was doing outside the course and has given me an appetite to pursue some areas of research even after completing the masters.”
Michael Quinton, Malta: “I have learned a lot, especially by being in a virtual classroom with fellow Sound Designers and being able to discuss and learn from them. This is a big bonus and it always helps with Networking which is essential to any freelancer. For me this was essential. Living on the island of Malta where Sound Design work is sparse and is often done on a part time basis, building a network is difficult since we are not on the mainland of Europe and where our knowledge in these things is very limited. By being in this course I have been able to learn many new things, make new contacts and to build my work base and form a direction for my career. There are also loads of lectures with prominent people in the sound design field from the film, games industry and sound researchers too. So you are learning from the tops of these industries and fields.”
Craig Standen, UK: “I was still able to continue with my professional work while studying for the Sound Design Masters. The virtual classroom not only allowed for discussion in relation to my studies, but I was able to connect with other Sound Designers globally, and talk about our work and careers. There were many guest lecturers from across the field, these interactions made the research I conducted more memorable and enjoyable, as there were different personalities, rather than just faceless textbooks.”
What you'll study
- Sound design for linear media
- Sound design for interactive media
- Advanced professional practice
In the first year, you will study Advanced Professional Practice (APP) for three trimesters. This allows you to tailor your learning needs to those of your organisation or the relevant industries.
Within the first few weeks of this module, under the direction of your academic supervisor you will develop your own learning agreement, which defines the deliverables of this module. If you are an employee you will do this in negotiation with your organisation.
If you are freelance, you may either negotiate with key clients or discuss an equivalent with your supervisor. Your supervisor will mentor you throughout the three trimesters towards the achievement of the deliverables. You will provide a reflective journal on your learning.
During the first year, you will also study one module per trimester: sound design for linear media, listening and sound design for interactive media. These modules will be taken in the order determined by the date of entry to the course.
Each module is independent of the others. One objective of the APP module is for you to apply immediately, in your practice, the knowledge gained from these three taught modules. After successful completion of the year, you will be eligible for a PG Dip Sound Design. In the second year, you will complete your MSc dissertation in part time mode.
In this 60 credit module you will take control of your studies to produce a substantial piece of focussed academic research. Success in the dissertation module indicates an ability to work independently, so you are expected to take the initiative and manage your own project. In effect, you are undertaking independent research as an apprenticeship to an experienced academic supervisor.
Study modules mentioned above are indicative only. Some changes may occur between now and the time that you study.
Full information on this is available in our disclaimer.
The entry requirement for this course is a Bachelor (Honours) Degree at a 2:2 or above with three years experience working as an audio professional, for any form of media.
We may also consider lesser qualifications if you have sufficient relevant work experience within the industry.
English language requirements
If your first language isn't English, you'll normally need to undertake an approved English language test and our minimum English language requirements will apply.
This may not apply if you have completed all your school qualifications in English, or your undergraduate degree was taught and examined in English (within two years of starting your postgraduate course). Check our country pages to find out if this applies to you.
Our entry requirements indicate the minimum qualifications with which we normally accept students. Competition for places varies from year to year and you aren't guaranteed a place if you meet the minimum qualifications.
If your qualifications aren't listed above, visit our country pages to get entry requirements for your country.
Please note that non-EU international students are unable to enrol onto the following courses:
BN Nursing/MN Nursing (Adult, Child, Mental Health or Learning Disability)
BM Midwifery/MM Midwifery
We are committed to being as accessible as possible to anyone who wants to achieve higher education.
Our admissions policies will help you understand our admissions procedures and how decisions are made.