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Sellors, C. P. (2009). Film Authorship: Auteurs and Other Myths. Wallflower Press. ISBN 9781906660246
Few topics in the study of film produce controversy like authorship. Critics, historians and theoreticians have debated the most important film authors, argued vociferously ab...
Bishop, D. (2009). We're trying to get back to normal here: a case-study of David Cronenberg's "A History of Violence".
David Cronenberg is arguably one of the world’s most acclaimed cult directors, his films renowned for their depictions of body horror and transgressive outsiders. But five yea...
MacPherson, R. (2003). The creative producer – the business of art or the art of business?
Macleod, K. (2015). I film therefore I am: process and participation, networks and knowledge – examples from Scottish community media projects. In Routledge Companion to Alternative and Community Media., 505-516. Routledge. ISBN 9780415644044
This chapter examines community media projects in Scotland as social processes that nurture knowledge through participation in production. A visual and media anthropology fram...
Macleod, K. (2014). You play your part – participatory media and older women. In Thorsen, E., Savigny, H., Alexander, J. & Jackson, D. (Eds.). Media, Margins and Popular Culture, 28-40. Palgrave Macmillan UK. ISBN 978-1-137-51280-2
This chapter will examine participatory and collaborative production strategies that create opportunities for older women to participate in media production. It draws on pract...
Sellors, C. P. (2013). What in the World Distinguishes Fiction from Nonfiction Film?. Film and philosophy. 18, 105-123. ISSN 1073-0427
Advocates of blurred boundaries between fiction and nonfiction film identify shared narrative and representational practices to justify scepticism about nonfiction film’s abil...
Artt, S. (2012). Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope an on-line journal of film studies.. ISSN 1465-9166
Sellors, C. P. (2007). Collective Authorship in Film. Journal of Aesthetics and Art Criticism. 65, 263-271. doi:10.1111/j.1540-594X.2007.00257.x. ISSN 0021-8529
Sellors, C. P. (2006). A Realist Account of Fiction. Film and philosophy. 10, 51-66. ISSN 1073-0427
A realist account of fiction.
Schwan, A. (2003). When feminism collides with the politics of difference: the pitfalls of progressive filmmaking. In CorpoRealities: In(ter)ventions in an Omnipresent Subject, 275-289. Koenigstein/Taunus: Helmer. ISBN 3-89741-123-7
Artt, S. Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions.. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin. (Unpublished)
Artt, S. Irony: adapting Jane Austen's Northaner Abbey.. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank. (Unpublished)
Artt, S. Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin.. Paper presented at Becoming Scotland, Queen Margaret University. (Unpublished)
In 'On the Melancholic Imaginary' Julia Kristeva notes that epochs of crisis are especially prone to black humour and melancholy: "In times of crisis... melancholy imposes its...
Artt, S. Silence and performance: appreciating Lynne Ramsay's "Morven Callar".. Paper presented at 20th International Screen Studies Conference, University of Glasgow. (Unpublished)
Crawford, D. N. (2016). Between the Cracks: Theme, Screenwriting and Visual Structure. (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/Output/453033
This research explores the manual approach to screenwriting and finds that the element of theme is not examined with the same analytical focus as other primary elements, plot,...