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Lecturer in Contemporary Literature and Culture
Hetherington, R. (2015). The believability of hyper realistic characters in animated movies. doi:10.1145/2814464.2814478
In a pilot study, participants were asked to watch sets of short movie excerpts featuring performances of a human actor, and 5 animated characters of varying human likeness an...
Artt, S. & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media. 16(5). ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre:Privilege and Spectatorship in Orange is the New Black. Television and New Media. 17(6), 473-490. doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Macdonald, I. (2015). Hybrid Practices in Moving Image Design. (1). Palgrave Macmillan. doi:10.1007/978-3-319-41375-4. ISBN 978-3-319-41374-7; 978-3-319-41375-4
This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of ...
Flint, T. (2015). Fiction for design: appropriating Hollywood techniques for design fictions. In Turner, P. & Harviainen, T. (Eds.). Digital Make-Believe. Springer. ISBN 978-3-319-29553-4
Flint, T. & Turner, P. (2014). Enactive appropriation. AI & society. 31(1), 41-49. doi:10.1007/s00146-015-0582-y. ISSN 0951-5666
The appropriation of digital artefacts involves their use, which has changed, evolved or developed beyond their original design. Thus, to understand appropriation, we must und...
Sellors, C. P. (2000). The Impossibility of Science Fiction: Against Buckland's Possible Worlds. Screen. 41(2), 203-216. doi:10.1093/screen/41.2.203. ISSN 0036-9543
The Impossibility of Science Fiction: Against Buckland's Possible Worlds.