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Harkins, P. (2015). Following the Instruments, Designers, and Users: The Case of the Fairlight CMI. Journal on the Art of Record Production.. ISSN 1754-9892
The focus of this article is the Fairlight Computer Musical Instrument (CMI), which is generally regarded as the first commercially available digital sampler. However, its des...
Harkins, P. (2011). La Transmission Perdue et Retrouvee : Le Sampler Comme Outil de Composition et de Decontextualisation de L’Enrigistrement. Réseaux. 172, 92. doi:10.3917/res.172.0092. ISSN 0751-7971
According to Brian Eno, the recording studio is a composition tool that enables musicians to enjoy a more direct relationship with sound. This article examines the role of the...
Harkins, P. (2010). Appropriation, Additive Approaches & Accidents: The Sampler as Compositional Tool. Journal of the International Association for the Study of Popular Music. 1(2). doi:10.5429/2079-3871(2010)v1i2.3en. ISSN 2079-3871
Brian Eno describes the recording studio as a compositional tool that has enabled composers to enjoy a more direct relationship with sound. This article will explore the use o...
12 October 2016
Wednesday 12 October 21.00
Michael Harris plays an organ concert of British and German music of the sixteenth to nineteenth centuries, as part of the Musical Wednesdays...
Senior Lecturer T&R
0131 455 6201
0131 455 5021
Harkins, P. (2009). Transmission Loss and Found: The Sampler as Compositional Tool. Journal on the Art of Record Production. 4. ISSN 1754-9892
This article explores the use of the digital sampler as one of the studio tools that forms part of this creative process and focuses on interviews with a group of Edinburgh mu...
Currie, J., Brechin, S., Mill, A., Oke, W., Anderson, R. & Brady, P. The Edinburgh Festival FRINGE - Sandy Brechin Band. Performed at Acoustic Music Centre@St Brides. 23 August 2016 - 23 August 2016. (Unpublished)
Wild man of the accordion and frontman of Burach and the Sensational Jimi Shandrix Experience, Sandy Brechin plays fast and funky favourites from his albums, Out of his Box an...
Harkins, P. (2007, October). Todd Edwards & the microsample: speed & spirituality in UK Garage.. Paper presented at Mediation, Movement and Microrhythm in Groove-Based Music - Workshop, Oslo, Norway
My paper will examine the role of New Jersey producer Todd Edwards within the development of UK Garage by focussing on his use of microsamples which Simon Reynolds describes a...
Medbøe, H. (2016). Haftor Medbøe Group - New:Happy. Edinburgh, UK
An album of eight original compositions featuring Konrad Wiszniewski (tenor saxophone), Chris Greive (trombone), Signy Jacobsdottir (percussion) and Eva Malling (bass).
Medbøe, H. (2015). Medbøe/Eriksen/Halle - The Space Between. Norway
An album of original compositions performed by Haftor Medbøe (guitar), Espen Eriksen (piano), Gunnar Halle (trumpet)
Released on Losen Records, November 2015 with financal su...
Medbøe, H. (2012). Haftor Medbøe & Anneke Kampman - Places and Spaces. Edinburgh, UK
An album of nine compositions featuring Anneke Kampman (vocals), Andy Jeffcoat (synth), Richard Kass (percussion).
Engineered by Michal Jankowski
Produced by Graham Coe
Medbøe, H. (2009). Haftor Medbøe Group - A Box of Monkeys. Edinburgh, UK
An album of five compositions featuring Anneke Kampman (vocals), Konrad Wiszniewski (tenor saxophone), Chris Greive (trombone), Eva Malling (bass), Signy Jacobsdottir (percuss...
This study focuses on three albums of original music performed and recorded by...