Davismoon, S. (2006). Towards the water’s edge
This is an electroacoustic sound-installation work over 16 channels which forms a pyramid-like structure to surround the audience.
There are many examples in the electroacou...
Ferguson, P. & Hook, D. (2005). In Perpetuity.
Haftor Medboe writes...The music was written in Edinburgh in the autumn of 2004 as a development of ideas that had evolved through collaboration with fellow musicians and frie...
Dempster, K. (2005). Six feet of blood
The work is based on the poem, 'So many make one' by Norman MacCaig. The poem expresses the development, as well as the passing, of the many different stages in our lives; and...
Tsiros, A., LePlâtre, G. & Smyth, M. (2011). Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes. In 9th Sound and Music Computing Conference, 409-507
This paper presents a prototype allowing the control of a
concatenative synthesis algorithm using a 2D sketching
interface. The design of the system is underpinned by a
Durkin, R. (2017). The Dancing-Master's Toolkit: a Summary of the Pochette of the Seventeenth and Eighteenth Centuries and its Role in Society. The Galpin Society journal. LXX, 65-79
The pochette or kit of the seventeenth and eighteenth centuries survives in surprisingly large numbers in both specialist and general collections, and displays a variety of fo...
Ashton, N. (2014). Why Benjamin Britten’s War Requiem still resounds today. The Conversation
Pilcher, N., Cortazzi, M. & Jin, L. (2014). Da capo: A musical technique to evoke narrative recall. Psychology of Music. 42(4), 483-502. doi:10.1177/0305735613480257. ISSN 0305-7356
This article proposes the use of recorded music chosen by researchers to elicit participant accounts of life experiences, a technique we name ‘da capo recall.’ Fifteen mainlan...
Brøvig-Hanssen, R. & Harkins, P. (2011). Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups. Popular Music. 31, 87-104. doi:10.1017/S026114301100047X. ISSN 0261-1430
The academic literature on mash-ups has been dominated by discussions about issues relating to
their illegal nature and infringement of copyright. We aim to appraise this musi...
Harkins, P. (2009). Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage. In Danielsen, A. (Ed.). Musical Rhythm in the Age of Digital Reproduction, 177-194. Ashgate. ISBN 978-1-4094-0340-1
Atton, C. (2010). Fan discourse and the construction of noise music as a genre. Journal of Popular Music Studies. 23, 324-342. ISSN 15242226
Recent theoretical interest in Noise has drawn attention to the difficulties of making sense of it as a musical practice. Various claims have been made: Noise challenges the ...
Soto-Morettini, D. (2004). The Clowns of God – Jerry Springer the Opera. Contemporary Theatre Review. 14, 75-87. doi:10.1080/1026716032000148546. ISSN 1048-6801
Atton, C. (2004). Review of "Rock over the Edge: Transformations in Popular Music Culture". European Journal of Cultural Studies. 7, 122-124. doi:10.1017/S0261143004000248. ISSN 1367-5494
Soto-Morettini, D. (1995). Slipping Into something comfortable: Identity and popular culture. Lipa Press. ISBN 978-0952816201
Hails, J. (2015). for three. Print manuscript in possession of composer
Musical work (duration 41') for three unspecified melodic sustaining instruments. Work employs specific tuning related to just intervals.
Harris, M. (2006). Concert 1 August 2006 – Rassa. 1 August 2006 - 1 August 2006