Ridley-Ellis, D. (2012). Hot ticket - Bright Club, Edinburgh
Short interview for events section of the New Statesman magazine
MacPherson, R. (2003). The creative producer – the business of art or the art of business?
McLean, D. & Holmes, P. (2010). A Lesson in Death
Holmes, P. (1993). A Country Retreat
Holmes, P. (1992). A Small Deposit
Short film drama.
Milne, L. (2010). The Druids, Travels in deep England
The Druids is an exploration of neo-pagan magical belief in the 21st Century. Shot over three years in Somerset, England, this ethnographic documentary follows a group of mode...
Holmes, P. (2001). Sniper 470
Holmes, P. (1996). Going Down
Scott, A. (2017). Representing Scottish Communities on Screen. In Malik, S., Chapain, C. & Comunian, R. (Eds.). Community Filmmaking : Diversity, Practices and Places, 60-75. Taylor & Francis (Routledge). ISBN 9781138188069 / 9781138188068
No abstract available.
Artt, S. & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media. 16(5)ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Macleod, K. (2016). 'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In Sites of ProtestISBN 9781783487660
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre:Privilege and Spectatorship in Orange is the New Black. Television and New Media. 17(6), 473-490. doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Keeble, A. (2016). Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture. 35(1), 51-67. doi:10.1386/ejac.35.1.51_1. ISSN 1466-0407
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...
Macleod, K. (2015). You Play Your Part – Older Women on Screen and in Production. In Media, Margins And Popular Culture, 28-40. Palgrave Macmillan. ISBN 978-1-137-51280-2, 978-1-137-51281-9
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...
Macleod, K. (2015). I film therefore I am: process and participation, networks and knowledge – examples from Scottish community media projects. In Routledge Companion to Alternative and Community Media., 505-516. Routledge. ISBN 9780415644044
This chapter examines community media projects in Scotland as social processes that nurture knowledge through participation in production. A visual and media anthropology fram...