Vettese, S., Thompson, P. & Allan, D. (2017). A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication. In Cumulus Hong Kong 2016, Cumulus Working Papers, Open Design for E-very-thing, 23 - 30. ISBN 9789526000800
In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ envir...
Vones, K. (2017). Crafted Evolution - The creation of the HyperHive Series. In Conference Proceedingsdoi:10.6084/m9.figshare.4746934. ISBN N/A
The following paper describes the conception and creation of the HyperHive Series of interactive pendants. This practice-led research analyses how the recent emergence of term...
Buwert, P. (2017). Shepard Fairey’s inauguration posters may define political art in Trump era
The American street artist Shepard Fairey created a poster for Barack Obama’s presidential election campaign. It was 2008 and the simple red, beige and blue stencilled image o...
Carnegie Trust for the Universities of Scotland
The proposed research project seeks to examine the ways colony-based photographers represented and celebrated the success of the colonial-based enterprises in Southeast Asian at the turn of the 20th c...
Edinburgh World Heritage
12 Closes is a 4 year project partnership with Edinburgh World Heritage to re-invigorate and redesign a series of the Royal Mile's pedestrian closes. The projects will be developed through a process o...
Scottish Funding Council
The Royal Zoological Society would like to work with academics and students at Napier University to scope a new and innovative event that attracts a new audience to Edinburgh Zoo. The aim of the event...
15 September 2016
15 September 2016
Public Talk at Stills Gallery, Edinburgh, about the Franki Raffles Archive Research project www.frankirafflesarchive.org
Programme Leader BDes(Hons) Product Design
Vettese, S. & Anastasiadou, C. (2016). In Situ 3D Printed Souvenirs and their Affect on Visitors Engagement with Built Heritage. In In this place : cumulus association biannual international conference, 98-103. ISBN 978-0-9928878-1-0
In this study, visitors’ perception and engagement with built heritage surroundings was investigated in relation to their interaction with 3d printed souvenirs which reflected...
Quye, A., Han, J. & Innes, M. (2016). Research on the Chemical and Colour Changes of Historically Important Light-Sensitive Dyestuffs during Accelerated Light Ageing with Filtered Visible Light
Lighting is a key factor for the display and preservation of cultural heritage materials. This research pioneers the chemical investigation of colourants aged by visible light...
Buwert, P. (2016). Designers are seizing Wall Street – but can they improve your life?
Designers are seizing Wall Street – but can they improve your life?
Innes, M. (2015). Digital Lighting for the Analogue Museum. In PLDC 2015 ProceedingsISBN 978-3-9811940-3-6
Exhibition lighting in museums and galleries usually strives to render the true nature of the surface of the exhibits. This would normally include using light sources that pro...
Forster, S. & Anastasiadou, C. (2015). Enhancing the Tourist Heritage Experience through In-Situ, Customisable, 3D printed Souvenirs. In Proceedings Heritage Tourism & Hospitality International Conference 2015ISBN 978-90-9029477-3
This research set out to investigate whether technological innovations in design and the personalisation of tourist souvenirs through 3D printing, could offer opportunities to...
THOMPSON, P. & PENGELLY, J. (2013). Walking in the Garden of Forking Paths – examining notions of 'post-‐physical' printmaking in digital space. 1. In Watson, A., Shemilt, E. & Liam Harrison, P. (Eds.). Impact 8: Borders & Crossings: the artist as explorer, 1-13. ISBN 1 899837 70 1
This paper presents findings from practice-based research, which examines notions of post-physical printmaking space through the digital medium of Augmented Reality.
Vones, K. (2013). Towards the Posthuman: Materiality and process in the creation of stimulus-responsive jewellery objects. In All Makers Now?ISBN 978-0-9544187-9-3
The idea of creating a jewellery organism that comes alive on the
body has fascinated and inspired my research ever since learning
about the potential inherent in smart materi...
Vones, K. (2013). Technological Microcosms – Considering Materiality and Collaborative Practice in the Creation of Wearable Futures. In Praxis and Poetics - Research Through Design 2013, 59-62. ISBN 978-0-9549587-9-4
With the increased prevalence of digital technologies in our everyday lives, the questions posed to the contemporary craft practitioner regarding creation of an emotionally re...
Pengelly, J. & Thompson, P. (2011). Social Networking and Affinity Spaces – The Virtual Atelier. In ATINER's Conference Paper Series ART2012-0076, ART2012-0076. ISBN unknown
This paper examines the impact digital culture, Web 2.0 and Online Networking, an area we might collectively define as e-culture, is having on the practice, modes of collabora...
Thompson, P. (2011). The Digital Matrix and the Paperless Print. In Hoskins, S. (Ed.). IMPACT 6: multi-disciplinary printmaking conference proceedings, 44. ISBN 9781906501037
This paper examines, from the perspective of a critically engaged practioner within the context of contemporary fine art printmaking practice, the concept of a " digital matri...
Thompson, P. (2009). The Personalised Surface, New Approaches to Digital Printmaking. In The Personalised Surface: New Approaches to Digital PrintmakingISBN 0955862892
My work is formed through practice-based research and is placed within the context of the transferred image. I have developed my digital practice from traditional methods of p...
Kerlaff, P. (2016). Now I Sit Me Down by Witold Rybczynski, Review Paul Kerlaff. Interiors. doi:10.1080/20419112.2016.1242267. ISSN 2041-9112
A simple but profound point opens Now I Sit Me Down: that chairs illustrate a kind of democratic manifestation of our relationship to things. Unlike architecture, and to a les...
The project will require the customisation of a mobile vehicle to fulfil the physical and social requirements of data collection from the public, considering the practical, emotional and aesthetic req...
Kirkwall is the capital town of the Orkney Islands. It has a population of around 8,500 people, but Orkney has over 140,000 visitors every year. The majority of visitors are in the summer months and J...
The Royal Botanic Garden Edinburgh (RBGE) would like to create a light show at its Edinburgh Garden during the dark winter months of November and December 2014 that will bring the gardens alive in the...
Higher Education Academy
The scheme provides the opportunity to experience Scotland’s new education system Curriculum for Excellence (CfE), first hand. Secondary school visits will engage with teachers and pupils and consider...
The Royal Botanic Gardens Edinburgh would like to explore an opportunity to try to attract more visitors to the gardens during the dark winter months. They came up with an idea of setting up possible ...
This follow-on project will continue the relationship between the company and the academic who worked on the original innovation voucher project. New concepts will be created for all the visual elemen...
Method Furniture craft their quality bespoke furniture that is shipped to customers all over the world. To protect the product they hand make basic wooden transportation boxes to keep the products saf...
In the gaming world, the traditional model of developing and releasing games is that a company creates a game, it is released, their customers buy the game, play it and wait for the next version or ne...
The Grid Iron Theatre Company is developing an innovative new work to be staged a the Edinburgh International Arena (EICA). The company would like assistance with the development of an initial script...