Artt, S. & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media. 16(5)ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre:Privilege and Spectatorship in Orange is the New Black. Television and New Media. 17(6), 473-490. doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Artt, S. (2013). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In Stewart, M. (Ed.). Melodrama in Contemporary Film and Television (July 2014). Palgrave. ISBN 9781137319845
Artt, S. Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".. Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University. (Unpublished)
Artt, S. Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds. (Unpublished)
Artt, S. The woman behind the screen: adapting Edith Wharton's The House of Mirth.. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling. (Unpublished)