Donna Soto-Morettini
Donna SotoMorettini

Dr Donna Soto-Morettini

Senior Lecturer

Biography

I became a performer at the age of 15, and for many years worked throughout the western United States, Canada and Japan as a singer and an actress. I came to the UK in 1984 to complete a DPhil in British Political Drama at Oxford University (under the supervision of Terry Eagleton), and I have been training actors in the UK for more than two decades. In 1990 I became Head of Acting at the Central School of Speech and Drama in London, and moved on from there in 1994, where I led the team that was awarded the first BA degree for vocational acting in the UK. I also designed and launched MA degrees in acting and playwriting. In 1994 I became the founding Head of Acting & Dance at the Liverpool Institute for Performing Arts, where we designed and launched the first interdisciplinary BA in Performance in the UK. From 2001-7 I served as Director of Drama, Head of Musical Theatre, and Director of International Development for the Royal Scottish Conservatoire, and while there I designed and launched the BA in Digital Film and Television and the MA in Musical Theatre. Since starting at Napier in 2011 I have written, validated and launched the BA Acting for Stage & Screen, BA Acting & English, MFA Directing, MFA Playwriting and MFA Acting.

In 2005 I wrote and presented a 4 part-series for BBC Radio Scotland, called Singing School, and in 2007 I began working again in the industry. In that time I’ve worked extensively in television both as a casting director and performance coach for BBC, ITV, and others.

I live in Edinburgh where I work as a writer, a freelance performance coach and director and as a Senior Lecturer at Edinburgh Napier University. My research areas include historiography, acting theory, philosophy of consciousness, artificial intelligence and cognitive science. Along with books, I’ve published many journal articles, and presented workshops and master classes on performing, auditioning and singing in various places throughout the UK, Europe and the United States.

Esteem

Advisory panels and expert committees or witness

  • Grand Jury member Global Search for New Musicals, Cardiff International Festival of Musical Theatre, January 2005
  • Selection Panel, Board of Governors, National Theatre of Scotland
  • BAFTA Jury member, Best Actor/Best Actress, Scottish Film, 2005

 

Editorial Activity

  • Assistant Editor, Theatre Journal, John Hopkins Press, 1980 – 1983

 

External Examining/Validations

  • External Examiner, Birmingham School of Acting (2002 - 2007)
  • External Examiner, New Lanarkshire College (2012 – 2015)

 

Fellowships and Awards

  • U.C.Irvine, Theatre Guild Award in Acting, 1982
  • U.C.Irvine, Distinguished Alumni Award, 1999
  • Regents Fellowship, UCI, 1981, 1982

 

Invited Speaker

  • “Twenty Years of Feminism” Conference organiser in association with Routledge Press, ICA London,1989
  • “Georg Lukacs reconsidered”, Oxford English Ltd., Oxford, 1988
  • “Teaching Vocal Style”, published conference proceedings Interactive 2000, Liverpool, 2000
  • “Out of Apathy” conference, Panel Chair: Aesthetics and the New Left: Lindsay Anderson and Trevor Griffiths, Oxford, 1987
  • “Framing the Imaginary: Michael Frayn’s Democracy” – IFTR congress, St Petersburg, May 2004
  • “Constructing National Identities: The New National Theatre of Scotland”, Conference, Trinity College, Dublin, March 2005
  • “Howard Brenton in Conversation” ICA Video library, interviewer, presenter, 1988
  • “Disturbing the Spirits of the Past”, Brussels and Liverpool John Moores, Summer 2000
  • “Rethinking Voice Training”, published conference proceedings, CSSD, 1995
  • “The Cognitive Architecture of Performance”, PSI conference, Utrecht, April 2011
  • “Memories and Aspirtions: Scotland’s State of the Nation Trilogy” FIRT/IFTR, Amsterdam, Summer 2002
  • “Non-Traditional Casting and Actor Training”, conference organiser, panel chair at presenter, CSSD, 1994
  • “Reading Silence”, Chair and presenter, Conference “Hands up for China, ICA London, 1989
  • “Rude Scottish Drama and the ‘Psychosomatics of the Zeitgeist’” In-yer-face, University of Western England, Bristol, September 2002
  • “Gunter Grass and Bertolt Brecht” Presentation for the School of Criticism and Theory, UC Irvine, 1983

 

Reviewing

  • Theatre Journal, Feminist Review and Methuen Drama