Thompson, P. (2011). Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking
The ‘Born Digital – New Materialities’ print portfolio is the result of a digitally mediated open call “exchange” survey, examining the notion of “printmaking 2.0”. It is part...
Thompson, P. An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation. (Thesis)
This research was initiated by questions raised from the researcher’s professional activities in fine art printmaking and examines, through contextualised artistic practice an...
Vettese, S., Allan, D., & Thompson, P. (2018). A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication. Design and Technology Education: An International Journal, 23(3), 10-25
In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ envir...
Vettese, S., Thompson, P. & Allan, D. (2017). A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication. In Cumulus Hong Kong 2016, Cumulus Working Papers, Open Design for E-very-thing, 23 - 30. ISBN 9789526000800
THOMPSON, P. & PENGELLY, J. (2013). Walking in the Garden of Forking Paths – examining notions of 'post-‐physical' printmaking in digital space. 1. In Watson, A., Shemilt, E. & Liam Harrison, P. (Eds.). Impact 8: Borders & Crossings: the artist as explorer, 1-13. ISBN 1 899837 70 1
This paper presents findings from practice-based research, which examines notions of post-physical printmaking space through the digital medium of Augmented Reality.
Pengelly, J. & Thompson, P. (2011). Social Networking and Affinity Spaces – The Virtual Atelier. In ATINER's Conference Paper Series ART2012-0076, ART2012-0076. ISBN unknown
This paper examines the impact digital culture, Web 2.0 and Online Networking, an area we might collectively define as e-culture, is having on the practice, modes of collabora...
Thompson, P. (2011). The Digital Matrix and the Paperless Print. In Hoskins, S. (Ed.). IMPACT 6: multi-disciplinary printmaking conference proceedings, 44. ISBN 9781906501037
This paper examines, from the perspective of a critically engaged practioner within the context of contemporary fine art printmaking practice, the concept of a " digital matri...
Thompson, P. (2009). The Personalised Surface, New Approaches to Digital Printmaking. In The Personalised Surface: New Approaches to Digital PrintmakingISBN 0955862892
My work is formed through practice-based research and is placed within the context of the transferred image. I have developed my digital practice from traditional methods of p...