Sam Vettese
Sam Vettese

Dr Sam Vettese

Senior Lecturer

Biography

I am a Reader in Applied Art and Design with seventeen years of experience in Higher Education and seven years as an award winning practicing jeweller and silversmith.
My research is wide ranging in approach, encompassing diverse areas of art, design and heritage but with a particular emphasis on innovative, sustainable materials. I was returned in the RAE (2008) at Heriot-Watt under the ‘Art and Design’ unit of assessment and in the REF (2014) at Edinburgh Napier University for the ‘Communication, Cultural and Media Studies’ unit of assessment and led UoA 32 for the current REF.
My grant funding and awards total over 200K and I have published a number of peer reviewed journal, conference papers and book chapters.

I am a Fellow of the Higher Education Academy and deliver high quality teaching and learning in visual, critical and contextual studies for multi-disciplinary, under and post graduate design students. In 2010 I was awarded the Graduates Teaching Prize for lecturer of the year and was nominated for the 2010 Teaching and Learning Oscars, ‘Guiding Hand’ award at Heriot Watt University. I was appointed as external examiner for the BA (Hons) in Fashion Communication at Southampton Solent University (2013 – 2017).

I have been recipient of several prestigious prizes as a practicing jeweller including the Platinum Awards and the Goldsmiths Metal Bursary in 1990 and the New Designers/Goldsmiths jewellery prize in 1991. After receiving my first degree, I spent a year as ‘artist in residence’ within the Jewellery and Silversmithing department of Edinburgh College of Art. I have exhibited extensively throughout the United Kingdom and my work in platinum and gold form part of the Museum of Scotland’s permanent collection.

Research Areas

News

Events

Esteem

Advisory panels and expert committees or witness

  • Advisor - British Council Crafting Futures UK

 

Conference Organising Activity

  • Submission Chair, Research Through Design Conference, 2016

 

External Examining/Validations

  • External examiner for BA (Hons) in Fashion Communication, School of the Creative Industries, Southampton Solent University

 

Fellowships and Awards

  • CeeD Industry Awards 2022. In association with VOLVO ROKBAK - shortlisted
  • The Scottish Knowledge Exchange Awards 2021 - Interface

 

Grant Reviewer

  • Reviewer for Train@Ed Research Fellowship Programme - Marie Sklodowska Curie Actions COFUND project

 

Invited Speaker

  • CI Lab 20 : Care and Repair
  • Beyond COP26
  • Inspiring Innovative Sustainable Materials : An Applied Arts Scotland event in association with Interface
  • Liberty Lates - Arts and Crafts from 1900 to Now
  • Edinburgh Open Doors Day '3D Printing in Heritage'
  • Invited speaker at Textiles Future Forum ‘Trading Zone’ event, Glasgow, September
  • Invited speaker at Edinburgh Tourism Action Group ‘Shine a Light on Technology’ conference, March 2015
  • Invited speaker at Textiles Future Forum ‘Trading Zone’ event, Edinburgh, March 2015
  • Invited exhibitor at Edinburgh Tourism Action Group ‘Digital Tourism’ conference, November 2015
  • Featured in ‘Prototype Today’, April 2015
  • Digimakit at E-Textiles Summer Camp, 2015, Ponce sur le Loire, August 2015 (funded by Edinburgh Napier University)

 

Media Activity

  • ‘3D printable recycled textiles: material innovation and a resurrection of the forgotten “shoddy” industry’ to feature in our new initiative, Clean Thinking for Climate Action

 

Reviewing

  • Research Through Design Conference 2019
  • Digital Culture and Society Journal
  • Reviewer for CITAR Journal of Science and Technology of the Arts
  • Book Reviewer ‘The Visual Dictionary of Fashion’ (Bloomsbury Publishing Plc) 2009
  • Peer reviewer for The Design Journal (Taylor and Francis) 2009

 

Visiting Positions

  • Applied Arts Scotland / British Council 'Altermatter' Workshop mentor

 

Date


46 results

3D printable fillament utilising waste Scottish textiles and leather f

Physical Artefact
Vettese, S., & hindle, C. 3D printable fillament utilising waste Scottish textiles and leather f

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Vettese, S., & hindle, C. 3D printable fillament utilising waste Scottish textiles and leather f
The project team (including Colin Hindle from Advanced Materials and Research Assistant Ari Loughlin) created a prototype 3D printable filament utilising waste textiles (selve...

Enhancing the Tourist Heritage Experience through In-Situ, Customisable, 3D printed Souvenirs

Conference Proceeding
Forster, S. & Anastasiadou, C. (2015)
Enhancing the Tourist Heritage Experience through In-Situ, Customisable, 3D printed Souvenirs. In Proceedings Heritage Tourism & Hospitality International Conference 2015ISBN 978-90-9029477-3
This research set out to investigate whether technological innovations in design and the personalisation of tourist souvenirs through 3D printing, could offer opportunities to...

Digimakit: 3D printed, co-created, experiential souvenirs

Presentation / Conference
Anastasiadou, C., & Vettese, S. (2015, April)
Digimakit: 3D printed, co-created, experiential souvenirs. Presented at ETAG Technology Conference 2015: Shine the Light Technology, Edinburgh

Etched in the Memory.

Journal Article
Forster, A. M., Vettese-Forster, S., & Borland, J. (2015)
Etched in the Memory. RICS Building Conservation Journal, 28-29
Alan Forster, Samantha Vettese-Forster and John Borland explore the cultural value of preserving historic graffiti.

Journal of Design Practice and Research, Volume 3, 2014

Book
Lambert, I., Firth, R., MacLeod, M., Forster, S., Innes, M., Winton, E., …Titley, W. (2014)
Journal of Design Practice and Research, Volume 3, 2014. Edinburgh Napier University
Editorial -Welcome to the third issue of the Journal for Design Practice & Research. The last 18 months has been an extremely busy time for us. We have continued to grow as a ...

An examination of the role of sound in defining the city in the context of Edinburgh

Journal Article
Vettese-Forster, S., Gowans, S., Case, J., & Maciej, K. (2014)
An examination of the role of sound in defining the city in the context of Edinburgh. European Academic Research, 1, 3218-3247
The surfeit of generic and place-specific sounds that exist in the urban environment contribute to what has been referred to as the soundscape. Within the built environment so...

The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion.

Journal Article
Vettese-Forster, S., & Christie, R. M. (2013)
The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion. Journal of the International Colour Association, 11, 1-17
From the middle of the 19th century, fashionable garments for women, which had previously been restricted largely to the wealthy social classes, began to become much more wide...

A proposed disposable, sustainable alternative to fast fashion based on cultural analysis and prototypical 1960s ‘paper dresses’.

Presentation / Conference
Vettese-Forster, S. (2013, November)
A proposed disposable, sustainable alternative to fast fashion based on cultural analysis and prototypical 1960s ‘paper dresses’. Paper presented at More for Less – Design in an Age of Austerity, Dublin, Ireland

A visual and contextual comparative study of the work of Picasso and Chanel towards an understanding of the overlaps between Modern Art and Fashion

Journal Article
Vettese-Forster, S. (2012)
A visual and contextual comparative study of the work of Picasso and Chanel towards an understanding of the overlaps between Modern Art and Fashion. The International Journal of Costume and Fashion, 12, 15-32
From the beginning of the twentieth century, ``Modernism`` impacted and transformed art and clothing. Pablo Picasso and Gabrielle ``Coco`` Chanel were two of the most central ...

Journal of Design Practice and Research Volume 2, 2012.

Book
Lambert, I., Firth, R., Forster, S., Innes, M., Macdonald, I., MacLeod, M., …Winton, E. (2012)
Journal of Design Practice and Research Volume 2, 2012. Edinburgh Napier University
Since the publication of the first issue of our journal twelve months ago our team of creative practitioners and academics has expanded (see pages 32-39), as has our work with...

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