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(2005). News and the net: convergences and divergences
Special issue of Scan: journal of media arts culture 2006; Vol.3 No.1 ISSN 1449-1818
(2003). Alternative media. Media, Culture and Society, 25(5), ISSN 0163-4437
Guest editor of special issue.
(2002). What is "Alternative Journalism"?. Journalism: Theory, Practice and Criticism, 4(3),
Special Issue of Journalism: theory, practice and criticism 2003 4(3)
Arts & Humanities Research Council
Carnegie Trust for the Universities of Scotland
Atton, C. (1993, December). Teaching and learning in higher education
Atton, C., McCleery, A., Mabweazara, H. & Ward, S. (2008). Million +: Leading the University agenda.
Million+ commissioned Edinburgh Napier University's Centre for Creative and Cultural Industries Research to review the relationship between the creative industries and univers...
Atton, C., McCleery, A., Mabweazara, H. & Ward, S. (2007). Creative Futures: Building the Creative Economy through Universities. Edinburgh, Scotland: Million+
The creative industries are founded on innovation. They are responsive, multifaceted and evolving and have developed new models of business in order to adapt and contribute to...
Atton, C. The British alternative press in the 1990s: aims, organisation, production and “writing” on the social margins. (Thesis). Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/3657
Atton, C. (2014, April). What can we learn from ‘unpopular’ music and its audiences?. Paper presented at Studying Music: An International Conference in Honour of Simon Frith, University of Edinburgh
The sociology of popular music has tended to eschew conventional musicological approaches and instead to locate the listening experience as one rooted in social uses and pleas...
Atton, C. (2013, October). Cultures of Listening: The popular aesthetics of 'difficult music'
Difficulty and complexity are values most often associated with a modernist avant-garde of ‘serious’ music. Their presence in popular music tends to attract the opprobrium of...
Atton, C. (2013, May). Alternative media, performance and power in cultures of technology. Presented at Cyberspace, Alternative Media and Activism Symposium, University of Liverpool
If, as Michel de Certeau argued, space is a practiced place, then what social practices enable what we might term an activist geography of cyberspace? Alternative media have ...
Atton, C. (2012, February). Do we still need rock journalists? The histories, values and prospects of writing about rock music. Presented at MARS (Music, Assembly, Research, Showbusiness), Seinajoki, Finland
Atton, C. (2011, March). Big noise, little worlds: genre and the cultural politics of territory in the live experience of “extreme” music. Paper presented at The business of live music, University of Edinburgh
Atton, C. (2011, March). 'Our semi-imaginary galaxy’: how fanzines write about popular music
Atton, C. (2011, February). Audiences as journalists: problems and positions
Atton, C. (2011, February). Alternative media and professional journalism: separatism or supplementarity?
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the
research process is an emp...
This thesis is a critical examination of my own creative practice ...
This thesis considers the role of community media in contemporary media policy developments of Anglophone Sub-Saharan ...
The aim of this study is to understand the operational practices of copyright exploitation and prot...
This study focuses on three albums of original music performed and recorded by...
Recent research findings have reinforced...
This thesis provides an ‘insider account’ of the process of making contemporary ‘observational’ documentaries from within...
This study uses an ethnographic approach (participant observation in conjunction with indepth group and individual inte...