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Cityscapes of the Future, 49-65. Leiden, The Netherlands: Brill Academic Publishers. doi:10.1163/9789004361317_005
This chapter investigates the ways in which China Miéville’s Perdido Street Station, Alastair Reynolds’ Terminal World and Christopher Priest’s Inverted World represent govern...
Bouet, E. (2018). Utopian Leprosy: Transforming Gender in Bram Stoker’s Dracula and History in the Strugatsky Brothers’ The Ugly Swans. In K. Wright (Ed.), Disgust and Desire: The Paradox of the Monster, 111-141. Leiden, The Netherlands: Brill Academic Publishers. doi:10.1163/9789004360150_008
No abstract available.
Bouet, E. Slake Moths of the Apocalypse: The End of History in China Miéville’s Perdido Street Station. Manuscript submitted for publication
Bouet, E. & Thomson, T. (Eds.). (2015). Northern Light, Volume 6. ISBN 978-0955244650
A collection of original poetry, prose and drama by 2014-15 Creative Writing students at the Scottish Universities' International
Summer School at the University Of Edinburgh...
Bouet, E. (2015). Beautiful Lepers, Monstrous Human: The Impossibility of Utopia in the Strugatskys’ The Ugly Swans
Jerome Cohen argues that the creature or the monster provides a space of interaction: ‘The space of transformation, becoming, passion, alterity, the uncanny, the utopian, is i...