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Chueng-Nainby, P. CONCEPTUALISATION, OR NOT? An Ethnographic Study in Describing Early Design Collaboration between Western Designers and Chinese Designers. (Thesis)
This thesis brings forth a perspective on the need for an isolated conceptual design phase in process models of designing. The perspective is made possible by identifying theo...
Lambert, I. (2017, September). The Isle of Harris Fish Slice: Industrial Crafting with Ocean Plastic. Paper presented at Making Futures 2017: Crafting a sustainable Modernity - towards a maker aesthetics of production and consumption, Plymouth College of Art
This paper appraises the adaptation of injection moulding, a process quintessentially associated with mass production, as a craft process, with ocean plastic as the raw materi...
Innes, M. (2016, November). Unconventional Lighting
No abstract available.
Quye, A., Han, J., & Innes, M. (2016, October). The chemical effect of filtered visible light on light-sensitive dyes. Poster presented at Dyes in History and Archaeology 35 (DHA35), Pisa, Italy
Despite best efforts to remove damaging UV and short wavelength light from museum displays, dyes on historical textiles can still fade or change colour if visible light causes...
Innes, M. Bishop Archibald Effigy, Elgin Cathedral. 1 December 2011 - 31 March 2016. (Unpublished)
Historic structures, architecture and artefacts can give us an amazing insight into what life was like when these objects were first created. However, this image of the past i...
Vettese, S., & Anastasiadou, C. (2018). In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture. The Journal of Peer Production, 12, 27-39
This paper outlines an Arts and Humanities Research Council (AHRC) funded Design Innovation Development Award project titled ' Enhancing the Authenticity and Sustainability of...
Buwert, P. (2017). Aesthetic Justice. Design for a blind-spot culture. Design Journal, 20(sup1), S38-S48. https://doi.org/10.1080/14606925.2017.1353017
This paper presents a conception of aesthetic justice which builds on thoughts of Theodor Adorno and Wolfgang Welsch and attempts to reconcile design’s relationships with both...
Buwert, P. (2017). Potentiality: the ethical foundation of design. Design Journal, 20(sup1), S4459-S4467. https://doi.org/10.1080/14606925.2017.1352942
This paper presents the argument that design is by nature an activity which extends and transforms potentiality and that therefore, because of this, it is always an ethical ac...
Innes, M. (2017). Efficient or Effective. Lighting Magazine, 49(2), 100-107
Efficient or Effective: The contrast between these twin aspects of lighting cuts to the core of what it means to be a lighting designer. It poses the thorny question: what is ...
MacLeod, M., & Macdonald, I. Stickers - Portfolio Artefact
Designing for social good framed within an ethical practice has a long tradition informed by the democratic philosophy of John Dewey, but more recently it has been acknowledge...
Buwert, P. (2018). Examining the Professional Codes of Design Organisations. In C. Storni, K. Leahy, M. McMahon, P. Lloyd, & E. Bohemia (Eds.), Proceedings of the Design Research Society 2018: Catalyst, 172-186
Many of the professional organisations within the various fields of design activity publish professional codes of ethics in one form or another. This paper opens up a discussi...
Allan, D. (2017). The Acquisition of Design Skills: A Hybrid Practice in the Digital Age. In G. Pritchard, & N. Lambert (Eds.), Learn X Design London 2017 : the allure of the digital and beyond, (60-66)
This paper will briefly discuss the debate between technological determinism and cultural materialism by reviewing relevant literature. Auto-ethnography will be used to explor...
Innes, M., & Winton, E. (2017). Lighting for Cities Inhabited by People, Not Cars: Community Co-Design and Creative Lighting. In PLDC 6th Global Lighting Design Conference
Electric street lighting has developed wholly in the age of the motor car. Therefore, normal models of urban lighting are based firmly on designing for vehicle traffic. Standa...
Innes, M. (2017). True Colours: explorations in art, design and research. In Color and Imaging Conference, 309-312
Do you see colour the same way that I see colour? As my initial training was as an artist, it is possible that I look at colour very differently from someone with a scientific...
Innes, M. (2017). The edges of lighting design Research and practice on the fringes. In New Perspectives on the Future of Healthy Light and Lighting in Daily Life, (16-21)
Research and practice on the fringes If architectural lighting design is contained within a defined circle, then the edges are, at the very least, quite blurred. All kinds of ...
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