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Moir, Z., & Ferguson, P. (2019, April). Live Improvised Performance Over Networks. Presented at Network Performing Arts Production Workshop
No abstract available.
Guerney, T., Langridge, P., Owen-Norris, D., & Layfield, M. (2007). Songs from the pleasure garden
Philip Langridge is joined by a fine cast of musicians for this recording of songs from the Georgian era, centred around the rural paradises in and around London, the Pleasure...
Beeston, M., Bailey, M., Burrin, P., & Mutter, C. (2007). The cold dancer
Dempster's 2005 quartet, his fourth, is entitled The Cold Dancer, and is immediately compelling through its savage attacks with scrunchy chords, searing melodic lines and seet...
Harris, M. (2004). An Edinburgh celebration.
Burrin, P., Bailey, M., Beeston, M., & Stanzeleit, S. (2002). Kenneth Leighton, Quartets 1 & 2, Seven Variations for String Quartet op. 43
Edinburgh Quartet play the quartet works of the highly respected Kenneth Leighton.
"Their infinite ability to sustain and constantly to change colour make them a perfect vehic...
Burrin, P., Bailey, M., Beaston, M., & Stanzeleit, S. (2001). Scottish string quartets
Landmark recording bringing together the works of four Scottish composers, Kelly (Kellie), Mackenzie, McEwan, and Wilson, representing the Classical, Romantic, and Impressioni...
Eccles, J. Poetry and symmetry as organizing forces in music. (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/5676
Aspects of poetry and symmetry are taken to represent the tension within the
compositional process between spontaneous impulses and intuitive insights
on the one hand, and mor...
Borland, D. The Singer's Psyche: a psychological approach to vocal performance training. (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/4529
Davidson, L. Towards a fusion of western classical/contemporary and traditional Scots bagpipe composition techniques: "Manntaireachd". (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/6492
The body of research that this document accompanies and which forms a folio
of compositions has sought to develop a new type of music utilising elements
from both the western ...
Zammit, V. Towards a notion of cultural soundscape as aninformant to original music composition - withparticular reference to that of the Maltese Islands. (Thesis)
In this folio of compositions, which includes orchestral, chamber, electroacoustic
and solo pieces, an attempt was made to capture some aspects that constitute
the Maltese cul...
Harkins, P. (2018, December). Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'. Paper presented at Music, Digitalisation, and Democracy
Rather than an abrupt or revolutionary shift from analogue to digital, I will argue in this paper that the use of digital technologies such as samplers have been part of a mor...
Moir, Z. (2018, June). Music From The Mundane: Found Sounds and Popular Music Composition. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
Moir, Z. (2018, June). Towards a Critical Consideration of Higher Popular Music Education: 5 Questions and some proposed answers. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
Atton, C. (2014, April). What can we learn from ‘unpopular’ music and its audiences?. Paper presented at Studying Music: An International Conference in Honour of Simon Frith, University of Edinburgh
The sociology of popular music has tended to eschew conventional musicological approaches and instead to locate the listening experience as one rooted in social uses and pleas...
Atton, C. (2013, October). Cultures of Listening: The popular aesthetics of 'difficult music'
Difficulty and complexity are values most often associated with a modernist avant-garde of ‘serious’ music. Their presence in popular music tends to attract the opprobrium of...