Moir, Z. (2018). The Iron Harvest (by Oscar van Heek) - Sound Design
A film by Oscar van Heek for the centenary of the Armistice. Sound design by Zack Moir.
Bilgrami, S. (2010). Fragments of a love story.
"Fragments of a love story" is the research outcome of a search for an appropriate cinematic form to interpret and represent complex, transgressive and intimate individual his...
Crawford, D. N. (2016). Between the Cracks: Theme, Screenwriting and Visual Structure. (Thesis)
This research explores the manual approach to screenwriting and finds that the element of theme is not examined with the same analytical focus as other primary elements, plot,...
Lam, L. (2018, June). From the Coffin to the Rowan Tree. Paper presented at International Vampire Film and Arts Festival, Sighișoara, Romania
After the glut of YA novels featuring vampires after Twilight, vampires are currently back in the coffin and publishers are still largely avoiding novels that feature them. Pa...
Artt, S. (2014, August). Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. Paper presented at Becoming Scotland, Queen Margaret University
In 'On the Melancholic Imaginary' Julia Kristeva notes that epochs of crisis are especially prone to black humour and melancholy: "In times of crisis... melancholy imposes its...
Artt, S. (2010, October). Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin
Artt, S. (2010, July). Silence and performance: appreciating Lynne Ramsay's "Morven Callar". Paper presented at 20th International Screen Studies Conference, University of Glasgow
Artt, S. (2009, September). Irony: adapting Jane Austen's Northaner Abbey. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank
Maglione, G. (in press). Martin McDonagh (dir.) (2018) ‘Three Billboards Outside Ebbing, Missouri’. Fox Searchlight Pictures: Los Angeles, California, USA. Crime, Media, Culture,
No abstract available.
Scott, A. (2017). Representing Scottish Communities on Screen. In Malik, S., Chapain, C. & Comunian, R. (Eds.). Community Filmmaking : Diversity, Practices and Places, 60-75. Taylor & Francis (Routledge). ISBN 9781138188069 / 9781138188068
Keeble, A. (2017). Interview with Tim Irwin, Director of We Jam Econo: The Story of the Minutemen (2005) and Don’t Break Down: A Film about Jawbreaker (2017). Punk and Post Punk, 6(1), (157-162). doi:10.1386/punk.6.1.157_7. ISSN 2044-1983
This interview was conducted over Skype on 26 March 2017. I contacted Tim Irwin for an interview with two main goals in mind. First, I was hoping for insight into his new film...
Macleod, K. (2016). 'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
Macleod, K. (2015). I film therefore I am: process and participation, networks and knowledge – examples from Scottish community media projects. In Routledge Companion to Alternative and Community Media, 505-516. Routledge
This chapter examines community media projects in Scotland as social processes that nurture knowledge through participation in production. A visual and media anthropology fram...
Sellors, C. P. (2014). "What in the World Distinguishes Fiction from Nonfiction Film?". Film and Philosophy, 18, 105-123
Advocates of blurred boundaries between fiction and nonfiction film identify shared narrative and representational practices to justify scepticism about nonfiction film’s abil...
Artt, S. (2013). Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope an on-line journal of film studies, ISSN 1465-9166