Milne, L. (2016). An Arte-Factual Tale Diorama (2016) By Emma Finn
Edinburgh Artists' Moving Image Festival (EAMIF) catalogue essay.
Drummond, I., Buckley, J. & Hammond, J. (2007). Lightweave
The first ‘Lightweave’ at Trencherfield Mill, Wigan Pier Quarter, Wigan, produces dramatic interventions within the area to raise its profile and signify positive change. The ...
Bilgrami, S. (2004). Across the waters.
'Across the Waters' is a poetic, reflective journey between two cultures. Fifty years ago, a young girl arrived on the island of Lewis from a village in Pakistan. Now, the w...
MacPherson, R. & Bilgrami, S. (2004). Tree Fellers.
Tree Fellers (24 mins) tells the story of the 900 Belizean lumberjacks who in 1942 left the tropical rainforests of British Honduras to help Britain fight fascism by felling t...
MacPherson, R. & Bell, D. (2004). Rebel frontier.
Rebel Frontier (65/52 mins) is an anti-war film set in the US which sees America’s immigrant communities up against the national security state. The war in question is the Fir...
Bilgrami, S. (2002). Recreating paradise.
The creative interaction between Muslims, refugees and Scottish artists, as they sew
together “paradise”. In the process of creation, we discover stories of loss and hope.
Bilgrami, S. (2001). Under My Skin.
Award winning documentary film about two immigrant artists in Scotland and the Camera, Editor experience of cross-cultural identity in their art and their lives.
Boateng, K. Anglophone Sub-Sahara Africa video industry : a new paradigmatic practice of moviemaking. (Thesis)
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the
research process is an empirical enquiry into how this contemporary cultural industry has
Atton, C., McCleery, A., Mabweazara, H. & Ward, S. (2007). Creative Futures: Building the Creative Economy through Universities. Edinburgh, Scotland: Million+
The creative industries are founded on innovation. They are responsive, multifaceted and evolving and have developed new models of business in order to adapt and contribute to...
Ramirez, G. “In the best interests of the country”:the American film institute and philanthropic support for American experimental and independent cinema in the 1960s. (Thesis)
In the mid-1960s and early 1970s, experimental and independent cinema received a considerable amount of support from the U.S. federal government through the American Film Inst...
Ferguson, P. Development of a 3D audio panning and realtime visualisation toolset using emerging technologies. (Thesis)
This thesis documents a body of research that links the field of electro-acoustic
diffusion and spatialisation with practice in the music and film post-production
Gray, G. T. Malaysian cinema and negotiations with modernity: film and anthropology. (Thesis)
This thesis examines Malaysian cinema in the context of the various processes and
discourses of modernity. Analysing the processes of modernity which Malaysians
are engaged wi...
Moschovi, A., & Supartono, A. (2016, September). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Paper presented at Association of Southeast Asian Studies UK
This paper seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis...
Holmes, P. (2015, November). GREAT Scotland India event