Moschovi, A., & Supartono, A. (2016, September). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Paper presented at Association of Southeast Asian Studies UK (ASEASUK) Conference 2016
This paper seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis...
Supartono, A. (2015, April). Is There Such A Thing as Southeast Asian Photography?. Paper presented at Making Southeast Asian Cultures: From Region to World, UC Berkeley, CA, USA. (Unpublished)
The photography scene in Southeast Asia has developed regionally since the early days of the camera. The flourishing commercial photographic studios in the region (thanks to t...
Supartono, A. The History of Boys, the Mes 56 and Beyond: A survey of Contemporary Photography in Indonesia. 17 March 2017 - 23 April 2017
This inaugural show of “Crossing SEA”, a series of research-based Southeast Asia photographic exhibitions, DECK presented one of the most successful and enduring photography c...
Carnegie Trust for the Universities of Scotland
The proposed research project seeks to examine the ways colony-based photographers represented and celebrated the success of the colonial-based enterprises in Southeast Asian at the turn of the 20th c...
Supartono, A. (2018). A History Of Boys: The MES 56 And Beyond. DECK Journal of Photography, 1(1), 94-105
In 2017, DECK Art Photography Center in Singapore started a series of research-based exhibitions on contemporary Southeast Asian photography. For its inaugural exhibition of t...
Supartono, A., & Moschovi, A. (in press). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies,
Cavers, C. & Supartono, A. (2015). Lost in Translation. Ojodepez. 43, 52-57
Supartono, A. (2014). After Image: Is there such a thing as Southeast Asian photography. In Afterimage: Contemporary Photography in Southeast Asia, 14-19. ISBN 9789810922177
After Image: is there such a thing as Southeast Asian photography?
Supartono, A. (2018). From Singapore with Nature
In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was se...
Moschovi, A., & Supartono, A. (in press). Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes
The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream...
Supartono, A. (2014). Colonial Machine: the Image of the Industry
Colonial machine: the image of the industry.
Supartono, A. (2013). Other Pictures: Vernacular (Hi)stories from the Photo Albums of Dutch Industrialists in Colonial Java
Other pictures: vernacular (Hi)stories from the photo albums of Dutch industrialists in Colonial Java.