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134 results

The Absent Presence of Progressive Rock in the British Music Press, 1968-1974

Journal Article
Anderton, C., & Atton, C. (2020)
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), 8-22. https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...

Challenging authenticity: fakes and forgeries in rock music

Journal Article
Atton, C. (2019)
Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2), 204-218. https://doi.org/10.1017/S0261143019000084
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...

Continental Drift: 50 years of jazz from Europe

Conference Proceeding
Medboe, H., Bares, W., Webster, E., Frost Fadnes, P., Inglis, C., Kahr, M., …Heyman, M. (2017)
Continental Drift: 50 years of jazz from Europe. In Z. Moir, & C. Atton (Eds.), Continental Drift: 50 years of jazz from Europe - Conference Proceedings, (v, vi
Following popular exposure in France to the proto-jazz of James Reese Europe and his 369th “Harlem Hellfighters” Infantry Regiment during the latter years of WW1, the jazz bug...

Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices

Book Chapter
Atton, C. (2016)
Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices. In S. Albiez, & D. Pattie (Eds.), Brian Eno: Oblique Music, (69-83). Bloomsbury Publishing
No abstract available.

Writing about popular music: continuity, change and convergence in a digital age.

Book Chapter
Atton, C. (2015)
Writing about popular music: continuity, change and convergence in a digital age. In F. Trumpi, & S. Obert (Eds.), Musikkritik: Historische Zugänge und systematische Perspektiven, (11-32). Mille Tre Verlag
No abstract available.

Fanzines: enthusiastic production through popular culture

Book Chapter
Atton, C. (2015)
Fanzines: enthusiastic production through popular culture. In C. Atton (Ed.), Routledge companion to alternative and community media, (437-444). Taylor & Francis (Routledge
No abstract available.

The Routledge companion to alternative and community media

Book
(2015)
C. Atton (Ed.), The Routledge companion to alternative and community media. Routledge
The Routledge Companion to Alternative and Community Media provides an authoritative and comprehensive examination of the diverse forms, practices and philosophies of alternat...

Peripheral visions? Alternative film in a stateless nation.

Book Chapter
MacPherson, R. (2015)
Peripheral visions? Alternative film in a stateless nation. In C. Atton (Ed.), The Routledge Companion to Alternative and Community Media, (268-277). Routledge
Scotland is a small, stateless nation whose mainstream media and national cinema have generally been positioned by media scholars as constituting an alternative to the UK’s m...

Introduction: problems and positions in alternative and community media.

Book
Atton, C. (2014)
Introduction: problems and positions in alternative and community media. In C. Atton (Ed.), Routledge companion to alternative and community media, 1-18. Routledge

Alternative media, the mundane and 'everyday citizenship'

Book Chapter
Atton, C. (2014)
Alternative media, the mundane and 'everyday citizenship'. In M. Ratto, & M. Boler (Eds.), DIY Citizenship: Critical Making and Social Media, (343-357). MIT Press
No abstract available.

Date


Qualification level

25 results

SQA Music Qualifications as Preperation for Music Degrees: An Investigation

2020 - date
Rebekah Donn | Director of Studies: Dr Zack Moir | Second Supervisor: MR Bryden Stillie

Work on the move: mobilities of creativity and design ideation

2018 - date
Associate Professor Richard Firth | Director of Studies: Prof Chris Atton | Second Supervisor: Dr Paul Thompson

An autoethnography of Scottish hip-hop: social commentary, outsiderdom, locality and authenticity

2016 - 2018
Dr David Hook | Director of Studies: Dr Haftor Medboe

A vast shadow-house: David Lindsay's vision

2015 - date
Sean Martin | Director of Studies: Dr C. Paul Sellors | Second Supervisor: Dr Sarah Artt

Cultural intermediaries in the contemporary British music press

2013 - 2017
Luke Langlands | Director of Studies: Prof Chris Atton | Second Supervisor: Allan Boughey

Position, commission and production: a self-reflexive investigation into the generation of ethnographic knowledge through documentary production for BBC Alba

2012 - 2014
Alison Maclean | Director of Studies: Prof Chris Atton

Reporting the death knock: ethics, social media and the Leveson Inquiry

2012 - 2015
The aim of this thesis is to understand the current practice in death knocks among print journalists and the ethical implications...
Larissa Belch | Director of Studies: Prof Chris Atton | Second Supervisor: James Blake

Digital gardens with real toads: in what ways have heritage and digital practices fused to form hybrid methods in moving image design?

2011 - 2013
This thesis is a critical examination of my own creative practice ...
Dr Iain Macdonald | Director of Studies: Prof Chris Atton

Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration

2011 - 2013
This study focuses on three albums of original music performed and recorded by...
Dr Haftor Medboe | Director of Studies: Prof Chris Atton

Aligning people, processes and technology: recurring issues in the design and implementation of e-learning, e-health and e-business infrastructure

2011 - 2013
Jenny Ure | Director of Studies: Michael Brown | Second Supervisor: Prof Christoph Thuemmler

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