Medboe, H., Bares, W., Webster, E., Frost Fadnes, P., Inglis, C., Kahr, M., …Heyman, M. (2017). Continental Drift: 50 years of jazz from Europe. In Moir, Z. & Atton, C. (Eds.). Continental Drift: 50 years of jazz from Europe - Conference Proceedings, v, vi. ISBN 978-1-78808-706-3
Following popular exposure in France to the proto-jazz of James Reese Europe and his 369th “Harlem Hellfighters” Infantry Regiment during the latter years of WW1, the jazz bug...
Atton, C. (2008). Interest and pressure groups.
Atton, C. (2006). Researching community media in Scotland.
Arts & Humanities Research Council
Carnegie Trust for the Universities of Scotland
Atton, C. (1995). Encouraging and assessing undergraduate students’ research skills through groupwork
Atton, C. (1995). Using critical thinking as a basis for library user education
Atton, C. (1998). Knowledge, resistance and critical spaces: the role of radical media in new social movements. In Barker, C. & Tyldesley, M. (Eds.). Fifth International Conference on Alternative Futures and popular protest II: A Selection of Papers from the Conference, 29 - 31 March 1999
Atton, C. (2016). Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices. In Albiez, S. & Pattie, D. (Eds.). Brian Eno: Oblique Music, 69-83. Bloomsbury Publishing. ISBN 9781441129123
MacPherson, R. (2015). Peripheral visions? Alternative film in a stateless nation. In C. Atton (Ed.), The Routledge Companion to Alternative and Community Media, 268-277. Routledge
Scotland is a small, stateless nation whose mainstream media and national cinema have generally been positioned by media scholars as constituting an alternative to the UK’s m...
Atton, C. (2014). Introduction: problems and positions in alternative and community media. In C. Atton (Ed.), Routledge companion to alternative and community media, 1-18. Routledge
(2014). C. Atton (Ed.), The Routledge companion to alternative and community media. Routledge
The Routledge Companion to Alternative and Community Media provides an authoritative and comprehensive examination of the diverse forms, practices and philosophies of alternat...
Atton, C. (2014). Writing about popular music: continuity, change and convergence in a digital age. In F. Trumpi, & S. Obert (Eds.), Musikkritik: Historische Zugänge und systematische Perspektiven, 11-32. Mille Tre Verlag
Atton, C. (2014). Fanzines: enthusiastic production through popular culture. In Atton, C. (Ed.). Routledge companion to alternative and community media, 437-444. Routledge. ISBN 9780415644044
No abstract available.
Atton, C. (2013). Reshaping social movement media for a new millennium. In Savyasaachi, [. G. N. & Kumar, R. (Eds.). Social Movements: Transformative Shifts and Turning Points, 347-364. Routledge. ISBN 9780415717366
Atton, C. (2013). Alternative media, the mundane and 'everyday citizenship'. In Ratto, M. & Boler, M. (Eds.). DIY Citizenship: Critical Making and Social Media, 343-357. MIT Press. ISBN 9780262321204
Atton, C. (2013). Curating popular music: authority and history, aesthetics and technology. Popular Music. 33, 413-427. doi:10.1017/S026114301400035X. ISSN 0261-1430
The practice of curation in popular music may be seen as a form of historical enquiry that works in a similar way to the critical projects of the ‘new museology’. Self-curati...
This thesis is a critical examination of my own creative practice ...
This thesis considers the role of community media in contemporary media policy developments of Anglophone Sub-Saharan ...
The aim of this study is to understand the operational practices of copyright exploitation and prot...
This study focuses on three albums of original music performed and recorded by...
Recent research findings have reinforced...
This thesis provides an ‘insider account’ of the process of making contemporary ‘observational’ documentaries from within...
This study uses an ethnographic approach (participant observation in conjunction with indepth group and individual inte...