Alistair, D. (2016). News night - Interview
No abstract available.
Gray, A. 100 Years of Magazine Publishing in Scotland. Exhibited at Scotland. 24 June 2013 - 19 July 2013. (Unpublished)
Scotland wide, 24 June until 19 July 2013
Atton, C. (2014). Fanzines: enthusiastic production through popular culture. In Atton, C. (Ed.). Routledge companion to alternative and community media, 437-444. Routledge. ISBN 9780415644044
Duff, A. (2010). The Holy Grail of a viable press. The Journal. 33
Opinion article analysing problems facing mass media in information age.
Migas, N., Anastasiadou, C. & Buchanan, W. J. (2006). Mass customisation through personalised brochures: the role of digital printing. Information Systems. ISSN 0306-4379
This paper argues that despite the wide adoption of Internet technologies in destination marketing, information is still disseminated through printed brochures that have large...
Gray, A. (2017). #NapierBigRead
Created and manage website.
c.2,000 views since creation (Dec 2017)
360º social media portfolio: website, facebook, instagram, twitter
Blake, J. (2017). Brexit has started: so what should Remain Vote Scotland do to protect its interests?. The Scotsman, Edinburgh, Scotland
This Scotsman newspaper article is based on research by James Blake - examining the impact of Brexit on the creative industries - and other reports from members of the RSE You...
Gray, A. (2016). Publish and be damned: exploring problem-based learning through the establishment of a University press. In C. Penman, & M. Foster (Eds.), Innovations in Learning and TeachingMerchiston Publishing
A pedagogic research publication showing new teaching approaches in higher education. This collection of chapters gives voice to academics from different disciplines across Ed...
THOMPSON, P. & PENGELLY, J. (2013). Walking in the Garden of Forking Paths – examining notions of 'post-‐physical' printmaking in digital space. 1. In Watson, A., Shemilt, E. & Liam Harrison, P. (Eds.). Impact 8: Borders & Crossings: the artist as explorer, 1-13. ISBN 1 899837 70 1
This paper presents findings from practice-based research, which examines notions of post-physical printmaking space through the digital medium of Augmented Reality.