Frayn, A. (in press). Introduction to H.G Wells "The War of the Worlds" and "The War in the Air". In Frayn, A. (Ed.). H.G Wells - The War of the Worlds and The War in the AirWordsworth Editions
Published a decade apart and spanning the turn of the twentieth century, The War of the Worlds (1898) and The War in the Air (1908) are brought together in one volume for the ...
Frayn, A. (2015). What a victory it might have been”: C. E. Montague and the First World War. In T. Tate, & K. Kennedy (Eds.), The Silent Morning: Culture and Memory After the Armistice, 131-148. Manchester, UK: Manchester University Press
Discusses Montague's post-war prose work in terms of peace and silence.
Frayn, A. (2015). Ford and the First World War. In A. Chantler, & R. Hawkes (Eds.), An Introduction to Ford Madox Ford, 121-133. Ashgate Publishing Ltd
Frayn, A. (2014). Richard Aldington’s Images, the Metropolis and the Masses. Modernist Cultures. 9, 260-281. doi:10.3366/mod.2014.0086. ISSN 2041-1022
Richard Aldington’s city poems in the latter part of his 1915 collection Images
are concerned with the masses who inhabit the modern city. Aldington is
at pains to stress his ...
Frayn, A. (2013). Writing disenchantment: British First World War Prose, 1914-30. Manchester University Press. doi:10.7228/manchester/9780719089220.001.0001
This book argues that disenchantment is not only a response to wartime experience, but a condition of modernity with a language that finds extreme expression in First World Wa...
Frayn, A. (2011). In “the black murmuring crowd”: Aldington’s Imagist London. In D. Kempton, & H. R. Stoneback (Eds.), Aldington, Pound, and the Imagists at Brunnenburg, 27-35. Greagau Press
Frayn, A. (2008). This battle was not over: Parade’s End as a transitional text in the development of ‘disenchanted’ First World War literature. In A. Gąsiorek, & D. Moore (Eds.), Ford Madox Ford: Literary Networks and Cultural Transformations, 201-216. Rodopi
This chapter argues that the novels of Ford's Parade's End tetralogy occupy a significant place in the development of "disenchanted" fiction about the First World War. The val...
Frayn, A. (in press). “It was in that way that we used to talk, in July, 1914, of Armageddon”: Wartime in Ford Madox Ford’s Parade’s End Tetralogy. In Literature and Modern TimePalgrave Macmillan
No abstract available.
Frayn, A. (2004). A Thoroughly Manly Fellow: Masculinity and Manliness in Richard Aldington's Early Fiction. In D. Kempton, & H. R. Stoneback (Eds.), New Places: proceedings of the Third International Richard Aldington Conferences, 63-70