Moschovi, A., & Supartono, A. (2016, September). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Paper presented at Association of Southeast Asian Studies UK
This paper seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis...
Forrest, E. & Hall, H. (2015, June). Blipfoto: a new return to the beginning of photography. Paper presented at International Visual Sociology Association Annual Conference 2015, Tinos, Greece
‘What we call the beginning is often the end. And to make an end, is to make a beginning . The end is where we start from” TS Eliot, Little Gidding If, on TS Eliot’s suggestio...
Supartono, A. (2015, April). Is There Such A Thing as Southeast Asian Photography?. Paper presented at Making Southeast Asian Cultures: From Region to World, UC Berkeley, CA, USA. (Unpublished)
The photography scene in Southeast Asia has developed regionally since the early days of the camera. The flourishing commercial photographic studios in the region (thanks to t...
Forrest, E., & Duff, A. (2014, March). Refusing to eat ‘the most effortless food’: Reflections on the absence of photography in opinion pages and the use of the image within ePunditry. Paper presented at Helsinki Photomedia 2014, Aalto University
Neill, C. (2012, February). ‘Sarah Lucas and the photographic gaze’. Presented at Stills Gallery, Theory of the Image, Stills Gallery
Supartono, A., Renhui, R. Z., Ang, S. N., Marvin, T., & Woong, S. T. From Singapore with Nature. 28 September 2018 - 27 January 2019
In this year’s Thessaloniki PhotoBiennale 2018, the central exhibition entitled “Capitalist Realism“, which is structured in two large sections, at the Thessaloniki Museum of ...
Supartono, A. The History of Boys, the Mes 56 and Beyond: A survey of Contemporary Photography in Indonesia. 17 March 2017 - 23 April 2017
This inaugural show of “Crossing SEA”, a series of research-based Southeast Asia photographic exhibitions, DECK presented one of the most successful and enduring photography c...
Cavers, C. Chobi Mela IX. Exhibited at Dhaka, Bangladesh. 3 February 2017 - 16 February 2017. (Unpublished)
The Postcolonial Photo Studio exhibition, explores the interface of photography and colonial history by examining how photo studio concept and technique in the colonial era in...
Scott, A. Franki Raffles at the 1st St Andrews Photography Festival. Exhibited at Old Union Coffee Shop, North Street, St Andrews. 1 August 2016 - 11 September 2016. (Unpublished)
An exhibition of selected images from the Franki Raffles Archive Research project curated by Alistair Scott.
Supartono, A., & Moschovi, A. (in press). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies,
Scott, A. (2017). Re-examining the aims and context of Raffles' photographic practice. In Franki Raffles: Observing Women at Work, 15-23. ISBN 978-0-9567646-6-9
No abstract available.
Cavers, C. (2017). Assam The Language of Tea: A familial re-purposing. In IX Chobi Mela 2017ISBN 978-984-34-1915-6
Assam, the Language of Tea: A Familial Repurposing, by Colin Cavers, is a postcolonial investigation of his colonial past by revisiting his portrait of tea pluckers project in...
Cavers, C. & Supartono, A. (2015). Lost in Translation. Ojodepez. 43, 52-57
Macleod, K. (2015). You Play Your Part – Older Women on Screen and in Production. In Media, Margins And Popular Culture, 28-40. Palgrave Macmillan. ISBN 978-1-137-51280-2, 978-1-137-51281-9
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...
Supartono, A. (2014). After Image: Is there such a thing as Southeast Asian photography. In Afterimage: Contemporary Photography in Southeast Asia, 14-19. ISBN 9789810922177
After Image: is there such a thing as Southeast Asian photography?