Macleod, K. You play your part & with a song in your heart screened and followed by audience discussion at the only way is ethics festival, Glasgow. Exhibited at The Old Hairdressers, Glasgow. 30 November 2015 - 1 December 2015. (Unpublished)
Film Screenings & Audience discussion: The Only Way is Ethics Festival, Glasgow. - You Play Your Part & With a Song in Your Heart (produced & directed by me, with Plantation P...
Macleod, K. You play your part - joint screening of film alongside Red Skirts of Clydeside at Pearce Institute, Govan. Exhibited at Pearce Institute, Govan, Glasgow, UK. 4 June 2015 - 4 June 2015. (Unpublished)
You Play Your Part - Joint screening of mydocumentary film alongside Red Skirts of Clydeside at Pearce Institute, Govan. Screening and public discussion of impact of the films...
Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities, 91-106. Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Royal Society of Edinburgh
The "Our Future Scotland" Film has been commissioned by the Scotland Future's Forum at the Scottish Parliament. The film will be showcased at the Parliament on 16th May 2018 and form the basis of an ...
Arts & Humanities Research Council
The feeling of being immersed within a live performance by an ensemble of world class musicians can be a deeply engaging and highly valued cultural experience for audiences as well as for the performe...
Carnegie Trust for the Universities of Scotland
This proposal is for funding to interview the surviving islanders from Scarp in Gaelic and English, collect existing archival documents and recordings and produce a practice/research documentary film ...
Scott, A. (2017). Representing Scottish Communities on Screen. In Malik, S., Chapain, C. & Comunian, R. (Eds.). Community Filmmaking : Diversity, Practices and Places, 60-75. Taylor & Francis (Routledge). ISBN 9781138188069 / 9781138188068
No abstract available.
Macleod, K. (2016). 'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
Macdonald, I. (2016). Hybrid Practices in Moving Image Design. (1). Palgrave Macmillan. doi:10.1007/978-3-319-41375-4
This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of ...
Macleod, K. (2015). You Play Your Part – Older Women on Screen and in Production. In Media, Margins And Popular Culture, 28-40. Palgrave Macmillan. ISBN 978-1-137-51280-2, 978-1-137-51281-9
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...
Scott, A. (2018). STV At 60. International Journal of Scottish Theatre and Screen, 11(1), (29-50). ISSN 2046-5602
This article traces the history of Scottish Television (STV) since it was first established as the independent television channel serving central Scotland in 1957 by charting ...
Blake, J. (2017). Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation. Participations: International Journal of Audience Reception Studies, 14(2), (526-544)
In its relatively short life, second screen interaction has evolved into a variety of forms of viewer engagement. The practice of using two screens concurrently has become com...
Artt, S., & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), (1-6). ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), (473-490). doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Keeble, A. (2016). Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture. 35(1), 51-67. doi:10.1386/ejac.35.1.51_1. ISSN 1466-0407
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...
Sellors, C. P. (2000). The Impossibility of Science Fiction: Against Buckland's Possible Worlds. Screen, 41(2), 203-216. doi:10.1093/screen/41.2.203
The Impossibility of Science Fiction: Against Buckland's Possible Worlds.
Scottish Funding Council
The project aims to create a series of scripts as well as a development plan for the creation of a package of new innovative products that use film and text to examine issues around adoption such as a...
Academic research into the use of video content for public art projects involving archival research, content preparation & knowledge transfer in preparation for a groundbreaking collaboration between ...
Whale Arts Centre, Wester Hailes, Edinburgh.
29 September 2017
Edinburgh Napier University
4 March 2013