Sellors, C. P. (2000). The Impossibility of Science Fiction: Against Buckland's Possible Worlds. Screen, 41(2), 203-216. doi:10.1093/screen/41.2.203
The Impossibility of Science Fiction: Against Buckland's Possible Worlds.
Hetherington, R. (2015). The believability of hyper realistic characters in animated movies. doi:10.1145/2814464.2814478
In a pilot study, participants were asked to watch sets of short movie excerpts featuring performances of a human actor, and 5 animated characters of varying human likeness an...
Turner, P. (2003). Users as abstractions. In K. Horton, & E. Davenport (Eds.), Understanding sociotechnical action : workshop proceedings, 31-39
No Abstract available.
Royal Society of Edinburgh
The "Our Future Scotland" Film has been commissioned by the Scotland Future's Forum at the Scottish Parliament. The film will be showcased at the Parliament on 16th May 2018 and form the basis of an ...
Arts & Humanities Research Council
The feeling of being immersed within a live performance by an ensemble of world class musicians can be a deeply engaging and highly valued cultural experience for audiences as well as for the performe...
Carnegie Trust for the Universities of Scotland
This proposal is for funding to interview the surviving islanders from Scarp in Gaelic and English, collect existing archival documents and recordings and produce a practice/research documentary film ...
Senior Research Fellow
MacPherson, R. (2003). The creative producer – the business of art or the art of business?. In A. Sharma (Ed.), Beyond the theory of practice : CILECT conference
No abstract available.
Turner, P., & Turner, S. (2002). Where am I? Place as the basis for Presence. In P. Turner, & E. Davenport (Eds.), Workshop on Space, Spatiality and Technologies
Turner, P., & Turner, S. (2001). An Affordance-based Framework for CVE Evaluation. In X. Faulkner, J. Finlay, & F. Détienne (Eds.), People and Computers XVI - Memorable Yet Invisible, 89-103. doi:10.1007/978-1-4471-0105-5_6
We argue that a conceptual framework is required to support the
practical evaluation of collaborative virtual environments. We propose
such a framework based on an extended, t...
Turner, P., & Turner, S. (1999). Cui Bono?. In Proceedings of the 1st French-British Virtual Reality International Workshop
Turner, P., Turner, S., & Horton, J. (1998). Is Activity Theory an adequate account of the use of multiple artefacts in cooperative working?. In P. Wright, & R. Fields (Eds.), The Proceeding of the Second International Workshop on Understanding Work and Designing Artefacts
Turner, P., Rogers, A. R., Turner, S., & Ellman, J. (1996). Seeing the wood for the trees. In C. Stephanidis (Ed.), Proceedings : 3rd ERCIM Workshop on "User Interfaces for All", 1-6
This paper describes the work in progress of the TREE project. TREE is a European-funded language engineering project addressing the issue of advertising and accessing employm...
Scottish Funding Council
The project aims to create a series of scripts as well as a development plan for the creation of a package of new innovative products that use film and text to examine issues around adoption such as a...
Academic research into the use of video content for public art projects involving archival research, content preparation & knowledge transfer in preparation for a groundbreaking collaboration between ...
This research will investigate the nature of interactions between people and experience-oriented technologies such as new-media artw...
The perceived auditory environment is an increasingly important part of people’s everyday interactive experiences. While sound design is an establish...
Whale Arts Centre, Wester Hailes, Edinburgh.
29 September 2017
Edinburgh Napier University
4 March 2013