Burton, K. (2017). Floating Sanctuary
A site-specific work for solo cello written for Edinburgh Doors open Day. The piece is informed by the architectural design of Craigsbank Parish Church and was presented in th...
Dempster, K. (2016). Distant Voices
Distant Voices - A unique multi-disciplinary performance, in which live musicians in Edinburgh connect, via video-link technology, with dancers on stage in Liverpool and Flori...
Atton, C. (2019). Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2),
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...
Moir, Z., & Hails, J. (in press). Sleepwalkers, Beware: Towards a Post-Structuralist Critique of Popular Music in Higher Education. In Z. Moir, B. Powell, & G. Dylan Smith (Eds.), The Bloomsbury Handbook of Popular Music Education: Perspectives and PracticesLondon and New York: Bloomsbury Publishing
no abstract available.
Moir, Z., Ferguson, P., & Smith, G. D. (in press). Real Time, Remote, Collaborative Recording Sessions: Music Production Without Boundaries. In Producing MusicLondon and New York: Taylor & Francis (Routledge)
No abstract available.
Durkin, R. (2017). What I discovered inside Edinburgh’s museum of musical instruments. The Conversation
Keeble, A. (2016). Blake Schwarzenbach and the anxieties of American punk rock: 1991–present. Punk and Post Punk, 5(3), (295-310). doi:10.1386/punk.5.3.295_1. ISSN 2044-1983
This article argues that Blake Schwarzenbach was a pivotal figure in the evolution of American punk from the early 1990s. Schwarzenbach’s journey as a punk figure has exemplif...