The Absent Presence of Progressive Rock in the British Music Press, 1968-1974
Anderton, C., & Atton, C. (2020)
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), 8-22. https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...
Challenging authenticity: fakes and forgeries in rock music
Atton, C. (2019)
Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2), 204-218. https://doi.org/10.1017/S0261143019000084
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...
Fanzines: enthusiastic production through popular culture
Atton, C. (2015)
Fanzines: enthusiastic production through popular culture. In C. Atton (Ed.), Routledge companion to alternative and community media, (437-444). Taylor & Francis (Routledge
No abstract available.
Foreword: Local Journalism, Radical Reporting and the Everyday.
Atton, C. (2012)
Foreword: Local Journalism, Radical Reporting and the Everyday. In T. Harcup (Ed.), Alternative journalism, alternative voices, xi-xvi. Routledge