Keeble, A. (2016). Blake Schwarzenbach and the anxieties of American punk rock: 1991–present. Punk and Post Punk, 5(3), (295-310). doi:10.1386/punk.5.3.295_1. ISSN 2044-1983
This article argues that Blake Schwarzenbach was a pivotal figure in the evolution of American punk from the early 1990s. Schwarzenbach’s journey as a punk figure has exemplif...
Keeble, A. (2016). Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture. 35(1), 51-67. doi:10.1386/ejac.35.1.51_1. ISSN 1466-0407
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...
(2015). The Wire and America's Dark Corners: Critical Essays. ISBN 0786479183
No abstract available.
Keeble, A. (2014). The Aggregation of Political Rhetoric in Zeitoun. Comparative American Studies, 12(3), 173-189. doi:10.1179/1477570014Z.00000000081
While the initial literary and cultural response to 9/11 consisted mostly of domestic narratives of trauma and mourning that avoided explicit political discourse, narrative re...
Keeble, A. (2014). The 9/11 Novel: Trauma, Politics and Identity. McFarland & Company, Inc
Keeble, A. (2012). Joseph O'Neil's Netherland and 9/11 Fiction. European Journal of American Culture, 31(1), 55-71. doi:10.1386/ejac.31.1.55_1
This article argues that Joseph O’Neil’s Netherland (2008) self-consciously addresses some of the problematic aspects of the emerging canon of ‘9/11 fiction’. Netherland subve...
Keeble, A. (2011). Marriage, Relationships, and 9/11: The Seismographic Narratives of Falling Man, The Good Life, and The Emperor's Children. Modern Language Review, 106(2), 355-373. doi:10.5699/modelangrevi.106.2.0355
3.30pm in Merchiston B2
6 December 2018