Milne, L. (2016). An Arte-Factual Tale Diorama (2016) By Emma Finn
Edinburgh Artists' Moving Image Festival (EAMIF) catalogue essay.
Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities, 91-106. Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Scott, A. (2017). Representing Scottish Communities on Screen. In Malik, S., Chapain, C. & Comunian, R. (Eds.). Community Filmmaking : Diversity, Practices and Places, 60-75. Taylor & Francis (Routledge). ISBN 9781138188069 / 9781138188068
No abstract available.
Milne, L. (2017). Heroes, Monsters and Horned Men: On the Syntax and Evolution of Mythological Image-Constellations. In M. Lisiecki, L. Milne, & N. Yanchevskaja (Eds.), Power and Speech: Mythology of the Social and the Sacred, 117-162. Toruń, POland: EIKON
Macleod, K. (2016). 'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
Macleod, K. (2015). You Play Your Part – Older Women on Screen and in Production. In Media, Margins And Popular Culture, 28-40. Palgrave Macmillan. ISBN 978-1-137-51280-2, 978-1-137-51281-9
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...
Macleod, K. (2015). I film therefore I am: process and participation, networks and knowledge – examples from Scottish community media projects. In Routledge Companion to Alternative and Community Media, 505-516. Routledge
This chapter examines community media projects in Scotland as social processes that nurture knowledge through participation in production. A visual and media anthropology fram...
P. Holmes (Ed.), (2015). Outside the Box
A monograph devoted to Paul Holmes's video work Outside the Box, featuring jazz musician Haftor Medbøe and his band. Contains an essay on the work by Louise S. Milne, photogra...
Artt, S. (2013). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014)Palgrave
MacPherson, R. (2012). Scottish cinema – myth and reality from Hollywood to Holyrood. In E. Bell, & N. Mitchell (Eds.), Directory of World Cinema: BritainIntellect ltd
Introductory essay on Scottish Cinema for Scotland section of Directory of World Cinema: Britain
Neill, C. (2009). One amongst many: the ethical significance of Antigone and the films of Lars von Trier. In S. E. Wilmer, & A. Zukauskaite (Eds.), Interrogating Antigone in postmodern philosophy and criticism, 135-146. Oxford University Press. doi:10.1093/acprof:oso/9780199559213.003.0008
Like Sophocles' Antigone, the work of Lars von Trier is often called upon to illustrate a point regarding ethics. Among those who so use these works are many Lacanians, such a...
Sellors, C. P. (2009). Film Authorship: Auteurs and Other Myths. Wallflower Press
Few topics in the study of film produce controversy like authorship. Critics, historians and theoreticians have debated the most important film authors, argued vociferously ab...
Scott, A. J. (2008). What's the Point of Film School, or, What did Beaconsfield Film Studios ever do for the Scottish film industry?. In J. Murray, F. Farley, & R. Stoneman (Eds.), Scottish Cinema Now, 206-221. Cambridge Scholars Publishing
This is an essay which examines the role of the UK National Film and TV School, Beaconsfield, in nurturing Scottish film-makers in the period 1970-2005. It looks back at the h...
MacPherson, R. (2008). Shape-Shifters: independent producers in Scotland and the journey from cultural entrepreneur to entrepreneurial culture. In J. Murray, F. Farley, & R. Stoneman (Eds.), Scottish Cinema Now, 222-239. Cambridge Scholars Publishing
This essay examines the changing composition and relationship to public policy of the independent film and television sector in Scotland since the early 1980s. It looks in pa...
Schwan, A. (2003). When feminism collides with the politics of difference: the pitfalls of progressive filmmaking. In CorpoRealities: In(ter)ventions in an Omnipresent Subject, 275-289. Koenigstein/Taunus: Helmer