Artt, S. & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media. 16(5)ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre:Privilege and Spectatorship in Orange is the New Black. Television and New Media. 17(6), 473-490. doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Artt, S. (2013). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014)Palgrave
Artt, S. Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".. Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University. (Unpublished)
Artt, S. Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds. (Unpublished)
Artt, S. The woman behind the screen: adapting Edith Wharton's The House of Mirth.. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling. (Unpublished)