Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities, 91-106. Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Artt, S. (in press). An otherness that cannot be sublimated: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, ISSN 1754-3770
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
Artt, S. & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media. 16(5)ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Artt, S. (2013). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014)Palgrave
Artt, S., Longden, K., McCabe, J., Formica, S., Tucker, P. & Wyver, J. (2013). Review of 'The Many Lovers of Miss Jane Austen':. In Raw, L. & Dryden, R. G. (Eds.). Global Jane Austen; Pleasure, Passion, and Possessiveness in the Jane Austen Community. Palgrave Macmillan. ISBN 9781137034434
Artt, S. (2012). Ambulant Fetish: the exotic woman in "Black Venus" and "Master". In S. Andermahr, & L. Phillips (Eds.), Angela Carter: New Critical Readings, 176-186. Continuum
Artt, S. (2012). Les liaisons dangeureuses a l'anglais: examining traces of 'European-ness' in Valmont, Dangerous Liaisons and Cruel Intentions. In L. Raw (Ed.), Translation, Adaptation and Transformation, 162-170. Continuum
Artt, S. (2009). Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope an on-line journal of film studies.. ISSN 1465-9166
Artt, S. (2002). The age of sex: the narrative function of accessories in Edith Wharton's The Age of Innocence and the television series Sex and the City. Flash Magazine
Artt, S. & Wasson, S. (2013). The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. In George, S. & Hughes, B. (Eds.). Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the PresentManchester University Press. ISBN 978-0719089411
Artt, S. (2006). Art of the past: adapting Henry James's The Golden Bowl. Journal of Adaptation in Film and Performance. 1, 5-16. doi:10.1386/japf1.1.5/1. ISSN 1753-6421
This article deals with James Ivory's screen adaptation of Henry James's novel The Golden Bowl. The analysis draws on the use of fine art motifs in the mise-en-scne and the us...
Artt, S. (2007). The Rocky Horror Picture Show as self-Reflexive Musical. In Weinstock, J. (Ed.). Reading Rocky HorrorPalgrave Macmillan. doi:10.1057/9780230616820. ISBN 9780230612327
Artt, S. Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions.. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin. (Unpublished)
Artt, S. Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds. (Unpublished)
Artt, S. Irony: adapting Jane Austen's Northaner Abbey.. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank. (Unpublished)