Lyall, S. (2017, December). Seeking God by strange ways: Symbolism and the Irish Revival. Paper presented at EUROPEAN REVIVALS CONFERENCE V – CULTURAL MYTHOLOGIES AROUND 1900, Edinburgh, Scotland
This paper will argue that the Irish Revival of the late nineteenth, early twentieth century was first-and-foremost a Symbolist movement. Focusing on the writing, thought and ...
Lyall, S. (2016, August). Fiery Speech”: Vision and Violence in the Poetry of W. B. Yeats and Patrick Pearse. Paper presented at ESSE 2016, National University of Ireland, Galway
This paper examines the work of two of the main protagonists behind the cultural and political revival of Ireland in the early twentieth century, W. B. Yeats and Patrick Pears...
Lyall, S. (2013, December). Translating Modernism: The Scottish Renaissance Movement and German-language Modernism. Paper presented at World-literatures, Discrepant Transnationalisms: Beyond Region and Nation?, Stuttgart, Germany
The Scottish Renaissance Movement of the 1920-30s was a response to what many literary artists of the period saw as Scotland’s provincialisation within the United Kingdom and ...
Artt, S. Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions.. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin. (Unpublished)
Alder, E. Psychic touches and the psychic detective: physical manifetations of the supernatural in Algernon Blackwood and William Hope Hodgson.. Paper presented at Ninth Annual Conference of the British Association for Victorian Studies, University of Leicester. (Unpublished)
Artt, S. Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds. (Unpublished)
Artt, S. Ambulant fetish: the exotic woman in Black Venus and Master.. Paper presented at Angela Carter: a critical exploration, University of Northampton & the Network for Modern Fiction Studies. (Unpublished)
Artt, S. Irony: adapting Jane Austen's Northaner Abbey.. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank. (Unpublished)
Artt, S. Silence and performance: appreciating Lynne Ramsay's "Morven Callar".. Paper presented at 20th International Screen Studies Conference, University of Glasgow. (Unpublished)
Alder, E. Genetic imperialism and reverse vampirism in Stephen Donaldson's Gap series.. Paper presented at Monstrous Media/ Spectral Subjects, University of Lancaster. (Unpublished)
Artt, S. Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".. Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University. (Unpublished)
Artt, S. The Steampunk Detective: Sherlock Holmes and Sherlock.. Paper presented at Neo-Victorian Networks: Epistemologies, Aesthetics and Ethics, University of Amsterdam. (Unpublished)
This paper will examine the recent refashioning of Arthur Conan Doyle's most famous creation as steampunk action hero in Guy Ritchie's Sherlock Holmes(2009) and Sherlock Holme...
Artt, S. The woman behind the screen: adapting Edith Wharton's The House of Mirth.. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling. (Unpublished)