Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities, 91-106. Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Artt, S. (in press). An otherness that cannot be sublimated: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, ISSN 1754-3770
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
Artt, S. & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media. 16(5)ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre:Privilege and Spectatorship in Orange is the New Black. Television and New Media. 17(6), 473-490. doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Artt, S. (2013). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014)Palgrave
Artt, S. (2009). Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope an on-line journal of film studies.. ISSN 1465-9166
Artt, S. (2007). The Rocky Horror Picture Show as self-Reflexive Musical. In Weinstock, J. (Ed.). Reading Rocky HorrorPalgrave Macmillan. doi:10.1057/9780230616820. ISBN 9780230612327
Artt, S. Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".. Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University. (Unpublished)
Artt, S. Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions.. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin. (Unpublished)
Artt, S. Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds. (Unpublished)
Artt, S. Irony: adapting Jane Austen's Northaner Abbey.. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank. (Unpublished)
Artt, S. The woman behind the screen: adapting Edith Wharton's The House of Mirth.. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling. (Unpublished)
Artt, S. Silence and performance: appreciating Lynne Ramsay's "Morven Callar".. Paper presented at 20th International Screen Studies Conference, University of Glasgow. (Unpublished)