Lecturer in Contemporary Literature and Culture
Lam, L. (2018, June). From the Coffin to the Rowan Tree. Paper presented at International Vampire Film and Arts Festival, Sighișoara, Romania
After the glut of YA novels featuring vampires after Twilight, vampires are currently back in the coffin and publishers are still largely avoiding novels that feature them. Pa...
Artt, S. (2018). ‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), (257-275). doi:10.3828/sfftv.2018.18. ISSN 1754-3770
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities, 91-106. Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Keeble, A. (2017). Interview with Tim Irwin, Director of We Jam Econo: The Story of the Minutemen (2005) and Don’t Break Down: A Film about Jawbreaker (2017). Punk and Post Punk, 6(1), (157-162). doi:10.1386/punk.6.1.157_7. ISSN 2044-1983
This interview was conducted over Skype on 26 March 2017. I contacted Tim Irwin for an interview with two main goals in mind. First, I was hoping for insight into his new film...
Artt, S., & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), (1-6). ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), (473-490). doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
4 June 2015