Lam, L. (2018, June). From the Coffin to the Rowan Tree. Paper presented at International Vampire Film and Arts Festival, Sighișoara, Romania
After the glut of YA novels featuring vampires after Twilight, vampires are currently back in the coffin and publishers are still largely avoiding novels that feature them. Pa...
Artt, S. (2014, August). Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. Paper presented at Becoming Scotland, Queen Margaret University
In 'On the Melancholic Imaginary' Julia Kristeva notes that epochs of crisis are especially prone to black humour and melancholy: "In times of crisis... melancholy imposes its...
Artt, S. (2010, October). Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin
Artt, S. (2010, October). Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. Paper presented at Symposium on melodrama in contemporary film and television, Queen Margaret University
Artt, S. (2010, July). Silence and performance: appreciating Lynne Ramsay's "Morven Callar". Paper presented at 20th International Screen Studies Conference, University of Glasgow
Artt, S. (2009, September). Irony: adapting Jane Austen's Northaner Abbey. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank
Artt, S. (2008, July). Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds
Artt, S. (2007, October). The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling
Artt, S. (2006, July). Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University
Artt, S. (2018). ‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), (257-275). doi:10.3828/sfftv.2018.18. ISSN 1754-3770
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities, 91-106. Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Keeble, A. (2017). Interview with Tim Irwin, Director of We Jam Econo: The Story of the Minutemen (2005) and Don’t Break Down: A Film about Jawbreaker (2017). Punk and Post Punk, 6(1), (157-162). doi:10.1386/punk.6.1.157_7. ISSN 2044-1983
This interview was conducted over Skype on 26 March 2017. I contacted Tim Irwin for an interview with two main goals in mind. First, I was hoping for insight into his new film...
Artt, S., & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), (1-6). ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), (473-490). doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Artt, S. (2015). 'Not Enough of Him' Technology and Melancholia in 'Be Right Back'. In media res: a media commons project