Moschovi, A., & Supartono, A. (2016, September). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Paper presented at Association of Southeast Asian Studies UK (ASEASUK) Conference 2016
This paper seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis...
Supartono, A. (2015, April). Is There Such A Thing as Southeast Asian Photography?. Paper presented at Making Southeast Asian Cultures: From Region to World, UC Berkeley, CA, USA. (Unpublished)
The photography scene in Southeast Asia has developed regionally since the early days of the camera. The flourishing commercial photographic studios in the region (thanks to t...
Supartono, A., Renhui, R. Z., Ang, S. N., Marvin, T., & Woong, S. T. From Singapore with Nature. 28 September 2018 - 27 January 2019
In this year’s Thessaloniki PhotoBiennale 2018, the central exhibition entitled “Capitalist Realism“, which is structured in two large sections, at the Thessaloniki Museum of ...
Carnegie Trust for the Universities of Scotland
The proposed research project seeks to examine the ways colony-based photographers represented and celebrated the success of the colonial-based enterprises in Southeast Asian at the turn of the 20th c...
Supartono, A. The History of Boys, the MES 56 and Beyond: A survey of Contemporary Photography in Indonesia. 17 March 2017 - 23 April 2017. (Unpublished)
This inaugural show of “Crossing SEA”, a series of research-based Southeast Asia photographic exhibitions, DECK presented one of the most successful and enduring photography c...
Supartono, A. (2018). A History Of Boys: The MES 56 And Beyond. DECK Journal of Photography, 1(1), 94-105
In 2017, DECK Art Photography Center in Singapore started a series of research-based exhibitions on contemporary Southeast Asian photography. For its inaugural exhibition of t...
Supartono, A., & Moschovi, A. (in press). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies,
Cavers, C., & Supartono, A. (2015). Lost in Translation. Ojodepez, 43, 52-57
Moschovi, A., & Supartono, A. (2019). Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage SitesLondon: Taylor & Francis (Routledge)
The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream...
Supartono, A. (2018). From Singapore with Nature
In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was se...
Supartono, A. (2014). After Image: Is there such a thing as Southeast Asian photography. In Afterimage: Contemporary Photography in Southeast Asia, (14-19)
No abstract available.
Supartono, A. (2014). Colonial Machine: the Image of the Industry. In G. Newton (Ed.), Garden of the East: Photography in Indonesia 1860s-1940s, (56-59). National Gallery of Australia
Supartono, A. (2013). Other Pictures: Vernacular (Hi)stories from the Photo Albums of Dutch Industrialists in Colonial Java
Other pictures: vernacular (Hi)stories from the photo albums of Dutch industrialists in Colonial Java.