The Personalised Surface, New Approaches to Digital Printmaking
Conference Proceeding
Thompson, P. (2009)
The Personalised Surface, New Approaches to Digital Printmaking. In The Personalised Surface: New Approaches to Digital Printmaking
My work is formed through practice-based research and is placed within the context of the transferred image. I have developed my digital practice from traditional methods of p...
Social Networking and Affinity Spaces – The Virtual Atelier
Conference Proceeding
Pengelly, J., & Thompson, P. (2012)
Social Networking and Affinity Spaces – The Virtual Atelier. In ATINER's Conference Paper Series ART2012-0076 (ART2012-0076
This paper examines the impact digital culture, Web 2.0 and Online Networking, an area we might collectively define as e-culture, is having on the practice, modes of collabora...
A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication
Conference Proceeding
Vettese, S., Thompson, P., & Allan, D. (2017)
A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication. In Cumulus Hong Kong 2016, Cumulus Working Papers, Open Design for E-very-thing (23-30
In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ envir...
The Digital Matrix and the Paperless Print
Conference Proceeding
Thompson, P. (2011)
The Digital Matrix and the Paperless Print. In S. Hoskins (Ed.), IMPACT 6: multi-disciplinary printmaking conference proceedings, (44
This paper examines, from the perspective of a critically engaged practioner within the context of contemporary fine art printmaking practice, the concept of a " digital matri...
Walking in the Garden of Forking Paths – examining notions of 'post-physical' printmaking in digital space
Conference Proceeding
Thompson, P., & Pengelly, J. (2014)
Walking in the Garden of Forking Paths – examining notions of 'post-physical' printmaking in digital space. In A. Watson, E. Shemilt, & P. Liam Harrison (Eds.), Impact 8: Borders & Crossings: the artist as explorer (1-13
This paper presents findings from practice-based research, which examines notions of post-physical printmaking space through the digital medium of Augmented Reality.
Founded o...