Crawford, D. N. (2016). Between the Cracks: Theme, Screenwriting and Visual Structure. (Thesis)
This research explores the manual approach to screenwriting and finds that the element of theme is not examined with the same analytical focus as other primary elements, plot,...
Artt, S. (2014, August). Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. Paper presented at Becoming Scotland, Queen Margaret University
In 'On the Melancholic Imaginary' Julia Kristeva notes that epochs of crisis are especially prone to black humour and melancholy: "In times of crisis... melancholy imposes its...
Macleod, K. (2016). 'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
Scott, A. (2017). Representing Scottish Communities on Screen. In S. Malik, C. Chapain, & R. Comunian (Eds.), Community Filmmaking : Diversity, Practices and Places, 60-75. Taylor & Francis
No abstract available.
MacPherson, R. (2003). The creative producer – the business of art or the art of business?. In A. Sharma (Ed.), Beyond the theory of practice : CILECT conference