Buwert, P. (in press). Design and Emergent Ethical Crises. In A. DeRosa, & L. Scherling (Eds.), Ethics in Design and CommunicationBloomsbury Publishing
No abstract available.
Supartono, A. (2018). From Singapore with Nature
In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was se...
Moschovi, A., & Supartono, A. (in press). Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage SitesTaylor & Francis
The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream...
Anastasiadou, C., Vettese, S., & Calder, L. (2018). Enhancing the Tourist Heritage Experience through In-Situ, Customisable 3D - Printed Souvenirs. In L. Egberts, & M. D. Alvarez (Eds.), Heritage and Tourism : Places, Imageries and the Digital Age, (151-171). Amsterdam: Amsterdam University Press. https://doi.org/10.5117/9789462985353
This research set out to investigate whether technological innovations in design and the personalisation of tourist souvenirs through 3D printing, could offer opportunities to...
Scott, A. (2017). Re-examining the aims and context of Raffles' photographic practice. In Franki Raffles: Observing Women at Work, 15-23
Supartono, A. (2014). Colonial Machine: the Image of the Industry
Colonial machine: the image of the industry.
Supartono, A. (2013). Other Pictures: Vernacular (Hi)stories from the Photo Albums of Dutch Industrialists in Colonial Java
Other pictures: vernacular (Hi)stories from the photo albums of Dutch industrialists in Colonial Java.