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Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources

Journal Article
Hetherington, R., & McRae, R. (2017)
Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources. Animation, 12(2), 156-173. https://doi.org/10.1177/1746847717710738
A qualitative inquiry of reviews of films featuring digital humanlike characters was performed by sampling user comments from three online reviewer aggregator sites: the Inter...

Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism

Journal Article
Keeble, A. (2016)
Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture, 35(1), 51-67. https://doi.org/10.1386/ejac.35.1.51_1
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...

'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'

Book Chapter
Macleod, K. (2016)
'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
No abstract available.

Regenerating Govan Through Film: screening & discussion at Pearce Instute, Govan during Radical Film Festival, 2016.

Exhibition / Performance
Macleod, K. Regenerating Govan Through Film: screening & discussion at Pearce Instute, Govan during Radical Film Festival, 2016. Exhibited at Govan, Glasgow. 2 May 2016 - 2 May 2016. (Unpublished)

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Macleod, K. Regenerating Govan Through Film: screening & discussion at Pearce Instute, Govan during Radical Film Festival, 2016. Exhibited at Govan, Glasgow. 2 May 2016 - 2 May 2016. (Unpublished
Regenerating Govan Through Film: screening at Pearce Institute of films I have produced with Plantation Productions. This event was part of the 2016 Radical Film Network Festi...

Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation

Journal Article
Blake, J. (2017)
Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation. Participations: International Journal of Audience Reception Studies, 14(2), 526-544
In its relatively short life, second screen interaction has evolved into a variety of forms of viewer engagement. The practice of using two screens concurrently has become com...

The Impossibility of Science Fiction: Against Buckland's Possible Worlds

Journal Article
Sellors, C. P. (2000)
The Impossibility of Science Fiction: Against Buckland's Possible Worlds. Screen, 41(2), 203-216. doi:10.1093/screen/41.2.203
The Impossibility of Science Fiction: Against Buckland's Possible Worlds.

The creative producer – the business of art or the art of business?

Conference Proceeding
MacPherson, R. (2003)
The creative producer – the business of art or the art of business?. In A. Sharma (Ed.), Beyond the theory of practice : CILECT conference
No abstract available.

The believability of hyper realistic characters in animated movies.

Conference Proceeding
Hetherington, R. (2015)
The believability of hyper realistic characters in animated movies. https://doi.org/10.1145/2814464.2814478
In a pilot study, participants were asked to watch sets of short movie excerpts featuring performances of a human actor, and 5 animated characters of varying human likeness an...

Hybrid Practices in Moving Image Design

Book
Macdonald, I. (2016)
Hybrid Practices in Moving Image Design. (1). Palgrave Macmillan. doi:10.1007/978-3-319-41375-4
This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of ...

An Affordance-based Framework for CVE Evaluation

Conference Proceeding
Turner, P., & Turner, S. (2002)
An Affordance-based Framework for CVE Evaluation. In X. Faulkner, J. Finlay, & F. Détienne (Eds.), People and Computers XVI - Memorable Yet Invisible, 89-103. https://doi.org/10.1007/978-1-4471-0105-5_6
We argue that a conceptual framework is required to support the practical evaluation of collaborative virtual environments. We propose such a framework based on an extended, t...
5 results

Scottish Adoption

2014 - 2015
The project aims to create a series of scripts as well as a development plan for the creation of a package of new innovative products that use film and text to examine issues around adoption such as a...
Funder: Scottish Funding Council | Value: £5,000

A Disappearing Hebridean Story

2016 - 2018
This proposal is for funding to interview the surviving islanders from Scarp in Gaelic and English, collect existing archival documents and recordings and produce a practice/research documentary film ...
Funder: Carnegie Trust for the Universities of Scotland | Value: £6,500

Learning from Korea - Media Skins as Public Art

2012 - 2015
Academic research into the use of video content for public art projects involving archival research, content preparation & knowledge transfer in preparation for a groundbreaking collaboration between ...
Funder: Royal Society of Edinburgh | Value: £2,242

ENSEMBLE Performing Together Apart: Enhancing Immersive Multi-Location Co-Performance in Real Time

2018 - 2018
The feeling of being immersed within a live performance by an ensemble of world class musicians can be a deeply engaging and highly valued cultural experience for audiences as well as for the performe...
Funder: Arts & Humanities Research Council | Value: £58,268

Scotland Futures Forum Film

2018 - 2019
The "Our Future Scotland" Film has been commissioned by the Scotland Future's Forum at the Scottish Parliament. The film will be showcased at the Parliament on 16th May 2018 and form the basis of an ...
Funder: Royal Society of Edinburgh | Value: £1,500