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Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.

Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.

Too Much Drama Defining Film in UK Copyright Law

Journal Article
Sellors, C. P. (in press)
Too Much Drama Defining Film in UK Copyright Law. Journal of Media Law, https://doi.org/10.1080/17577632.2020.1831141
In Norowzian v Arks Ltd. (No.2) the Court of Appeal determined that the Copyright, Designs and Patents Act 1988 protects films as dramatic works. What, conceptually and in pra...

Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources

Journal Article
Hetherington, R., & McRae, R. (2017)
Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources. Animation, 12(2), 156-173. https://doi.org/10.1177/1746847717710738
A qualitative inquiry of reviews of films featuring digital humanlike characters was performed by sampling user comments from three online reviewer aggregator sites: the Inter...

You Play Your Part – Older Women on Screen and in Production

Book Chapter
Macleod, K. (2015)
You Play Your Part – Older Women on Screen and in Production. In H. Savigny, E. Thorsen, D. Jackson, & J. Alexander (Eds.), Media, Margins And Popular Culture (28-40). London: Palgrave Macmillan. https://doi.org/10.1057/9781137512819_3
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...

Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism

Journal Article
Keeble, A. (2016)
Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture, 35(1), 51-67. https://doi.org/10.1386/ejac.35.1.51_1
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...

'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'

Book Chapter
Macleod, K. (2016)
'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
No abstract available.

The believability of hyper realistic characters in animated movies.

Conference Proceeding
Hetherington, R. (2015)
The believability of hyper realistic characters in animated movies. https://doi.org/10.1145/2814464.2814478
In a pilot study, participants were asked to watch sets of short movie excerpts featuring performances of a human actor, and 5 animated characters of varying human likeness an...

Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black

Journal Article
Schwan, A. (2016)
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), 473-490. https://doi.org/10.1177/1527476416647497
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote pri...

Hybrid Practices in Moving Image Design

Book
Macdonald, I. (2016)
Hybrid Practices in Moving Image Design. (1). Palgrave Macmillan. doi:10.1007/978-3-319-41375-4
This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of ...

An Affordance-based Framework for CVE Evaluation

Conference Proceeding
Turner, P., & Turner, S. (2002)
An Affordance-based Framework for CVE Evaluation. In X. Faulkner, J. Finlay, & F. Détienne (Eds.), People and Computers XVI - Memorable Yet Invisible, 89-103. https://doi.org/10.1007/978-1-4471-0105-5_6
We argue that a conceptual framework is required to support the practical evaluation of collaborative virtual environments. We propose such a framework based on an extended, t...
6 results

Scottish Adoption

2014 - 2015
The project aims to create a series of scripts as well as a development plan for the creation of a package of new innovative products that use film and text to examine issues around adoption such as a...
Funder: Scottish Funding Council | Value: £5,000

A Disappearing Hebridean Story

2016 - 2018
This proposal is for funding to interview the surviving islanders from Scarp in Gaelic and English, collect existing archival documents and recordings and produce a practice/research documentary film ...
Funder: Carnegie Trust for the Universities of Scotland | Value: £6,500

Learning from Korea - Media Skins as Public Art

2012 - 2015
Academic research into the use of video content for public art projects involving archival research, content preparation & knowledge transfer in preparation for a groundbreaking collaboration between ...
Funder: Royal Society of Edinburgh | Value: £2,242

ENSEMBLE Performing Together Apart: Enhancing Immersive Multi-Location Co-Performance in Real Time

2018 - 2018
The feeling of being immersed within a live performance by an ensemble of world class musicians can be a deeply engaging and highly valued cultural experience for audiences as well as for the performe...
Funder: Arts & Humanities Research Council | Value: £58,268

Scotland Futures Forum Film

2018 - 2019
The "Our Future Scotland" Film has been commissioned by the Scotland Future's Forum at the Scottish Parliament. The film will be showcased at the Parliament on 16th May 2018 and form the basis of an ...
Funder: Royal Society of Edinburgh | Value: £1,500

Film Bang 1976-2020 – resilience and sustainability for freelance careers in the screen industries

2020 - 2021
This project will identify ways to support progression, resilience and sustainability for freelance careers in the screen industries. The project will investigate the data contained in the Film Bang d...
Funder: Arts & Humanities Research Council | Value: £35,266