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Sir James Macmillan/Hebrides Ensemble LoLa Research between UK and Italy

Digital Artefact
Ferguson, P. (2015)
Sir James Macmillan/Hebrides Ensemble LoLa Research between UK and Italy. [Video]
This video documents the use of Edinburgh Napier University's low-latency research by Sir James Macmillan and the Hebrides Ensemble. The resulting Macmillan Horn Quintet mast...

Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production

Book Chapter
Ferguson, P., & Hook, D. (in press)
Ground Control and Cloud Booths: Using Dante to break geographical barriers to music production. In Perspectives in Music Production - Innovation in Music volume II. Routledge
In January 2013 the authors became early adopters of Focusrite RedNet. The RedNet Dante-based audio-over-IP interfaces gave their studios and performance areas very flexible c...

Real Time, Remote, Interactive Recording Sessions: Music Production Without Boundaries

Book Chapter
Moir, Z., Ferguson, P., & Smith, G. D. (2019)
Real Time, Remote, Interactive Recording Sessions: Music Production Without Boundaries. In Producing MusicTaylor & Francis. https://doi.org/10.4324/9781315212241
Inhabitants of the 21st century live and work in a world in which many aspects of daily interactions with other humans are no longer hampered by physical distance. Indeed, sch...

Recording Across Town and The Ocean.

Presentation / Conference
Ferguson, P., Moir, Z., & Bennett, J. (2018, April)
Recording Across Town and The Ocean. Paper presented at Network Performing Arts Production Workshop, Miami, USA
No abstract available.

Experiences of Remote, Real-Time Music Production.

Presentation / Conference
Moir, Z., Ferguson, P., & Smith, G. D. (2018, April)
Experiences of Remote, Real-Time Music Production. Paper presented at NowNet Arts: Artistic and Technological Strategies for Public and Private Networks, New York
No abstract available.

Jamming in the 3rd Room.

Presentation / Conference
Moir, Z., Ferguson, P., & Smith, G. D. (2016, December)
Jamming in the 3rd Room. Paper presented at Art of Record Production, Aalborg, Denmark
No abstract available.

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