Anderton, C., & Atton, C. (in press). The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...
Atton, C. (2019). Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2),
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...
Atton, C. (2015). Fanzines: enthusiastic production through popular culture. In C. Atton (Ed.), Routledge companion to alternative and community media, (437-444). Taylor & Francis (Routledge)
No abstract available.