Artt, S. (2014, August). Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. Paper presented at Becoming Scotland, Queen Margaret University
In 'On the Melancholic Imaginary' Julia Kristeva notes that epochs of crisis are especially prone to black humour and melancholy: "In times of crisis... melancholy imposes its...
Artt, S. (2010, October). Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. Paper presented at Symposium on melodrama in contemporary film and television, Queen Margaret University
Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities, 91-106. Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Artt, S., & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), (1-6). ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), (473-490). doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
Artt, S. (2015). 'Not Enough of Him' Technology and Melancholia in 'Be Right Back'. In media res: a media commons project,