Harkins, P. (2018, December). Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'. Paper presented at Music, Digitalisation, and Democracy
Rather than an abrupt or revolutionary shift from analogue to digital, I will argue in this paper that the use of digital technologies such as samplers have been part of a mor...
Moir, Z. (2018, June). Music From The Mundane: Found Sounds and Popular Music Composition. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
No abstract available.
Moir, Z. (2018, June). Towards a Critical Consideration of Higher Popular Music Education: 5 Questions and some proposed answers. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
Dempster, K. (2016). Distant Voices
Distant Voices - A unique multi-disciplinary performance, in which live musicians in Edinburgh connect, via video-link technology, with dancers on stage in Liverpool and Flori...
Burton, K. (2015). for Mies. Chicago, USA
A work for solo cello commissioned by Access Contemporary Music and the Chicago Architecture Foundation. The composition explores the relationship between music and the archit...
Keeble, A. (2016). Blake Schwarzenbach and the anxieties of American punk rock: 1991–present. Punk and Post Punk, 5(3), (295-310). doi:10.1386/punk.5.3.295_1. ISSN 2044-1983
This article argues that Blake Schwarzenbach was a pivotal figure in the evolution of American punk from the early 1990s. Schwarzenbach’s journey as a punk figure has exemplif...
Tsiros, A., LePlâtre, G. & Smyth, M. (2011). Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes. In 9th Sound and Music Computing Conference, 409-507
This paper presents a prototype allowing the control of a
concatenative synthesis algorithm using a 2D sketching
interface. The design of the system is underpinned by a