Sound and soundscape classification: Establishing key auditory dimensions and their relative importance
Conference Proceeding
McGregor, I., LePlâtre, G., Crerar, A., & Benyon, D. (2006)
Sound and soundscape classification: Establishing key auditory dimensions and their relative importance
This paper investigates soundscape classification by using two different forms of data gathering and two different populations. The first method involves a questionnaire compl...
The Effectiveness of Two Audiovisual Mappings to Control a Concatenative Synthesiser
Conference Proceeding
Tsiros, A., & Leplâtre, G. (2017)
The Effectiveness of Two Audiovisual Mappings to Control a Concatenative Synthesiser. In J. Pätynen, V. Välimäki, & T. Lokki (Eds.), Proceedings of the 14th Sound and Music Computing Conference 2017. , (320-327
This paper presents the results of an investigation into audio visual (AV) correspondences conducted as part of the development of Morpheme, a painting interface to control a ...
Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes.
Conference Proceeding
Tsiros, A., LePlâtre, G. & Smyth, M. (2011)
Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes. In 9th Sound and Music Computing Conference, 409-507
This paper presents a prototype allowing the control of a
concatenative synthesis algorithm using a 2D sketching
interface. The design of the system is underpinned by a
prelim...
Evaluation of a Sketching Interface to Control a Concatenative Synthesiser
Conference Proceeding
Tsiros, A., & Leplâtre, G. (2016)
Evaluation of a Sketching Interface to Control a Concatenative Synthesiser. In Proceedings of the 42nd International Computer Music Conference 2016. , (74-78
This paper presents the evaluation of Morpheme a sketching interface for the control of sound synthesis. We explain the task that was designed in order to assess the effective...