Moir, Z. (2016, November). Contemporary Music Education: The Importance of Creativity. Presented at Invited Guest Lecture, Royal Conservatoire of Scotland
No abstract available.
Moir, Z. (2016, July). Haphazard Pathways: Routes to Higher Popular Music Education and Impact on Curricula. Paper presented at International Society of Music Education World Conference
Moir, Z., & Stillie, B. (2016, July). Routes To Higher Popular Music Education and Impact on Curricula Design. Paper presented at International Society of Music Educators World Conference, Glasgow, UK
Moir, Z. (2016, July). Music From The Mundane: Found Sounds and Popular Music Composition. Presented at Invited Guest Lecture, Ithaca College, New York, USA
Invited guest lecture.
Hails, J. (2016, April). Nine for ones in nine: a schizophrenic cyborg love story. Paper presented at Edinburgh Napier Staff Conference, Edinburgh, Scotland
By appropriating the images of the schizophrenic and the cyborg from Deleuze and Guattari, and from Donna Haraway respectively, this paper seeks to discuss the relationship be...
Moir, Z. (2015, September). Young People and Popular Music Making: Leisure, Education, and Industry. Paper presented at SACI Research Conference
Harkins, P. (2015, June). The Art of the Loop: JJ Jeczalik and the Fairlight CMI Series II/III. Paper presented at Over and Over: Exploring Repetition in Popular Music, University of Liege, Belgium
The socio-musical practice of sampling is closely associated with the quotation of sound recordings, the technological processes of looping, and an aesthetic based on appropri...
Medbøe, H. (2015, February). The compass of Nordic tone: jazz from Scandinavia. Paper presented at Nordic Research Network 2015, University of Edinburgh, Edinburgh UK
Jazz from Scandinavia has, over the past fifty years, come to represent a distinct reimagining of the erstwhile American music form. Following the global spread of jazz throug...
Harkins, P. (2014, September). The Sounds of Everyday Life (and Death): Digital Sampling, House Musique Concrete, and Field Recordings. Paper presented at IASPM UK and Ireland Conference, University College Cork
Moir, Z. (2014, September). An Ecology of Music Making: Participation, Pressures, and Progressions. Presented at Creativities, Musicalities, and Entrepreneurships
Medbøe, H. (2014, September). Dictated dichotomies: Locating Scandinavian jazz. Paper presented at Rhythm Changes 2014 - Jazz Beyond Borders
Scandinavian jazz is arguably the most established appropriation of the genre outside the United States, with a uniquely defined cultural identity stretching back to the early...
Medbøe, H. (2014, July). Jazz Scenes and Networks in Europe: Repackaging Independent Jazz – New Strategies for Emerging Markets. Paper presented at KISMIF conference: Underground music scenes and DIY cultures, Porto PT
Recent years have witnessed significant changes to the methods by which artists connect with their fans. Where in the previous century these connections were primarily made th...
Moir, Z. (2014, April). 'Just Like Clarence' or 'Just Like Jimi': Issues surrounding creativity, originality, and pedagogy in pop and rock improvisation. Paper presented at Improvisation: Educational Perspectives
Stillie, B. (2014, April). Stillie, B. & Russell, G. (2014) Using Logic Pro X to meet SQA N5 Music Technology qualification requirements. Presented to the Scottish Association of Music Educators Technology Conference. 11th January 2014
This session will demonstrate how to work with video files in Logic X and address the requirements of N5 Music Technology. We will explore editing tools, track functionality a...
Harkins, P. (2014, April). Replies to the Critics: The Grounded Theories of Simon Frith. Paper presented at Studying Music: An International Conference in Honour of Simon Frith, The University of Edinburgh