Improvisation: Autonomy, Heteronomy and Wilful Naïveté
Conference Proceeding
Lambert, I. (2019)
Improvisation: Autonomy, Heteronomy and Wilful Naïveté. In EKSIG 2019 Knowing Together — experiential knowledge and collaboration Conference Proceedings of International Conference 2019 of the DRS Special Interest Group on Experiential Knowledge
This paper discusses theoretical perspectives on improvisation as a powerful generator of new knowledge in practice-based research and its enhancement through wilful naïveté. ...
Towards the Posthuman: Materiality and process in the creation of stimulus-responsive jewellery objects
Conference Proceeding
Vones, K. (2014)
Towards the Posthuman: Materiality and process in the creation of stimulus-responsive jewellery objects. In All Makers Now?
The idea of creating a jewellery organism that comes alive on the body has fascinated and inspired my research ever since learning about the potential inherent in smart materi...
The Personalised Surface, New Approaches to Digital Printmaking
Conference Proceeding
Thompson, P. (2009)
The Personalised Surface, New Approaches to Digital Printmaking. In The Personalised Surface: New Approaches to Digital Printmaking
My work is formed through practice-based research and is placed within the context of the transferred image. I have developed my digital practice from traditional methods of p...
Making as Growth: Narratives in Materials and Process
Journal Article
Lambert, I., & Speed, C. (2017)
Making as Growth: Narratives in Materials and Process. Design Issues, 33(3), 104-109. https://doi.org/10.1162/desi_a_00455
As an activity, research through design gives rise to new knowledge from both creative processes and, if there are any, resultant artifacts. Arguably, all creative practitione...
'Digital Lace', at International Symposium of Wearable Computers 2014 Exhibition
Exhibition / Performance
Taylor, S., & Robertson, S. 'Digital Lace', at International Symposium of Wearable Computers 2014 Exhibition. Exhibited at EMP Museum, Seattle. 13 September 2014 - 17 September 2016. (Unpublished))
Taylor, S., & Robertson, S. 'Digital Lace', at International Symposium of Wearable Computers 2014 Exhibition. Exhibited at EMP Museum, Seattle. 13 September 2014 - 17 September 2016. (Unpublished
Digital Lace was selected for the International Symposium of Wearable Computers (ISWC), 2014 Design Exhibition, Seattle and won the ISWC 2014 Jury Award: Fibre Art. The work w...
Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes
Book Chapter
Moschovi, A., & Supartono, A. (2019)
Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites (227-240). London: Routledge
The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream...
3D printable recycled textiles : material innovation and a resurrection of the forgotten ‘shoddy’ industry
Conference Proceeding
Vettese, S. (2017)
3D printable recycled textiles : material innovation and a resurrection of the forgotten ‘shoddy’ industry. In Loughborough University Textile Design Research Group INTERSECTIONS Conference 2017
This paper will disseminate an interdisciplinary project, undertaken at Edinburgh Napier University between the Design and Advanced Materials. Several 3D printable materials a...
An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration
Conference Proceeding
Burn, K., Vettese, S., & Shackleton, J. (2017)
An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration. In Circular Transitions Proceedings, (141-154
Embellishment, in a fashion and textile context, can be considered an extraneous decorative process that has a significant detrimental impact on the environment. However, aest...
Lighting and Museum Exhibits
Book Chapter
Innes, M. (2017)
Lighting and Museum Exhibits. In C. Papadopoulos, & H. Moyes (Eds.), The Oxford Handbook of Light in Archaeology. Oxford: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198788218.013.31
Museums exist to display and preserve valuable artefacts. Display lighting helps fulfil one of the main tenets of a museum, but excessive light causes irreparable damage to se...
Social Networking and Affinity Spaces – The Virtual Atelier
Conference Proceeding
Pengelly, J., & Thompson, P. (2012)
Social Networking and Affinity Spaces – The Virtual Atelier. In ATINER's Conference Paper Series ART2012-0076 (ART2012-0076
This paper examines the impact digital culture, Web 2.0 and Online Networking, an area we might collectively define as e-culture, is having on the practice, modes of collabora...