You Play Your Part – Older Women on Screen and in Production
Macleod, K. (2015)
You Play Your Part – Older Women on Screen and in Production. In H. Savigny, E. Thorsen, D. Jackson, & J. Alexander (Eds.), Media, Margins And Popular Culture (28-40). London: Palgrave Macmillan. https://doi.org/10.1057/9781137512819_3
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...
Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism
Keeble, A. (2016)
Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture, 35(1), 51-67. https://doi.org/10.1386/ejac.35.1.51_1
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...
'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'
Macleod, K. (2016)
'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
No abstract available.
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black
Schwan, A. (2016)
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), 473-490. https://doi.org/10.1177/1527476416647497
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote pri...
Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources
Hetherington, R., & McRae, R. (2017)
Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources. Animation, 12(2), 156-173. https://doi.org/10.1177/1746847717710738
A qualitative inquiry of reviews of films featuring digital humanlike characters was performed by sampling user comments from three online reviewer aggregator sites: the Inter...
Rediscovering feminist photographer Franki Raffles
Scott, A. (2017)
Rediscovering feminist photographer Franki Raffles. Studies in Photography, 58-62
No abstract available.
Hybrid Practices in Moving Image Design
Macdonald, I. (2016)
Hybrid Practices in Moving Image Design. (1). Palgrave Macmillan. doi:10.1007/978-3-319-41375-4
This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of ...
An Affordance-based Framework for CVE Evaluation
Turner, P., & Turner, S. (2002)
An Affordance-based Framework for CVE Evaluation. In X. Faulkner, J. Finlay, & F. Détienne (Eds.), People and Computers XVI - Memorable Yet Invisible, 89-103. https://doi.org/10.1007/978-1-4471-0105-5_6
We argue that a conceptual framework is required to support the
practical evaluation of collaborative virtual environments. We propose
such a framework based on an extended, t...
The believability of hyper realistic characters in animated movies.
Hetherington, R. (2015)
The believability of hyper realistic characters in animated movies. https://doi.org/10.1145/2814464.2814478
In a pilot study, participants were asked to watch sets of short movie excerpts featuring performances of a human actor, and 5 animated characters of varying human likeness an...