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11 results

"What in the World Distinguishes Fiction from Nonfiction Film?"

Journal Article
Sellors, C. P. (2014)
"What in the World Distinguishes Fiction from Nonfiction Film?". Film and Philosophy, 18, 105-123. https://doi.org/10.5840/filmphil2014188
Advocates of blurred boundaries between fiction and nonfiction film identify shared narrative and representational practices to justify scepticism about nonfiction film’s abil...

Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black

Journal Article
Schwan, A. (2016)
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), 473-490. https://doi.org/10.1177/1527476416647497
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote pri...

Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.

Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.

Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation

Journal Article
Blake, J. (2017)
Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation. Participations: International Journal of Audience Reception Studies, 14(2), 526-544
In its relatively short life, second screen interaction has evolved into a variety of forms of viewer engagement. The practice of using two screens concurrently has become com...

‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror

Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...

Gaelic Television: Building Bricks without Straw

Journal Article
Maclean, D. (2018)
Gaelic Television: Building Bricks without Straw. International Journal of Scottish Theatre and Screen, 11(1), 6-28
This article considers the role and place of Gaelic television output looking at how Gaelic content was delivered prior to the creation of BBC Alba in 2008 and up to the prese...

Film success in small countries – from Scotland to Singapore

Journal Article
MacPherson, R. (2011)
Film success in small countries – from Scotland to Singapore. Culture360
Analysis of the experience of some smaller European countries’ box-office data together with that of one South Asian country suggests that, despite significantly different lev...

A Realist Account of Fiction.

Journal Article
Sellors, C. P. (2006)
A Realist Account of Fiction. Film and philosophy. 10, 51-66. ISSN 1073-0427
A realist account of fiction.

Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar.

Journal Article
Artt, S. (2013)
Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope an on-line journal of film studies,

STV At 60

Journal Article
Scott, A. (2018)
STV At 60. International Journal of Scottish Theatre and Screen, 11(1), 29-50
This article traces the history of Scottish Television (STV) since it was first established as the independent television channel serving central Scotland in 1957 by charting ...