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Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation

Journal Article
Blake, J. (2017)
Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation. Participations: International Journal of Audience Reception Studies, 14(2), 526-544
In its relatively short life, second screen interaction has evolved into a variety of forms of viewer engagement. The practice of using two screens concurrently has become com...

‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror

Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...

Gaelic Television: Building Bricks without Straw

Journal Article
Maclean, D. (2018)
Gaelic Television: Building Bricks without Straw. International Journal of Scottish Theatre and Screen, 11(1), 6-28
This article considers the role and place of Gaelic television output looking at how Gaelic content was delivered prior to the creation of BBC Alba in 2008 and up to the prese...

You Play Your Part – Older Women on Screen and in Production

Book Chapter
Macleod, K. (2015)
You Play Your Part – Older Women on Screen and in Production. In H. Savigny, E. Thorsen, D. Jackson, & J. Alexander (Eds.), Media, Margins And Popular Culture (28-40). London: Palgrave Macmillan. https://doi.org/10.1057/9781137512819_3
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...

'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'

Book Chapter
Macleod, K. (2016)
'Naw, Naw, Aye - Activism and Alternative Media in the 2014 Scottish Referendum'. In S. Price, & R. Sanz Sabido (Eds.), Sites of ProtestLanham, MD: Rowman & Littlefield
No abstract available.

Between the Cracks: Theme, Screenwriting and Visual Structure

Thesis
Crawford, D. N. (2016)
Between the Cracks: Theme, Screenwriting and Visual Structure. (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/Output/453033
This research explores the manual approach to screenwriting and finds that the element of theme is not examined with the same analytical focus as other primary elements, plot,...

Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical

Book Chapter
Artt, S. (2008)
Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical. In J. Weinstock (Ed.), Reading Rocky Horror: The Rocky Horror Picture Show and Popular CulturePalgrave Macmillan
No abstract available.

"What in the World Distinguishes Fiction from Nonfiction Film?"

Journal Article
Sellors, C. P. (2014)
"What in the World Distinguishes Fiction from Nonfiction Film?". Film and Philosophy, 18, 105-123. https://doi.org/10.5840/filmphil2014188
Advocates of blurred boundaries between fiction and nonfiction film identify shared narrative and representational practices to justify scepticism about nonfiction film’s abil...

Malaysian cinema and negotiations with modernity: film and anthropology.

Thesis
Gray, G. T. Malaysian cinema and negotiations with modernity: film and anthropology. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/4485
This thesis examines Malaysian cinema in the context of the various processes and discourses of modernity. Analysing the processes of modernity which Malaysians are engaged wi...

“In the best interests of the country”: the American film institute and philanthropic support for American experimental and independent cinema in the 1960s

Thesis
Ramirez, G. “In the best interests of the country”: the American film institute and philanthropic support for American experimental and independent cinema in the 1960s. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/6266
In the mid-1960s and early 1970s, experimental and independent cinema received a considerable amount of support from the U.S. federal government through the American Film Inst...